A practical treatise on the manufacture of perfumery : $b comprising directions for making all kinds of perfumes, sachet powders, fumigating materials, dentrifices, cosmetics, etc., etc., with a full account of the volatile oils, balsams, resins, and other natural and artificial perfume-substances, including the manufacture of fruit ethers, and tests of their purity — John Shaqi
A practical treatise on the manufacture of perfumery : $b comprising directions for making all kinds of perfumes, sachet powders, fumigating materials, dentrifices, cosmetics, etc., etc., with a full account of the volatile oils, balsams, resins, and other natural and artificial perfume-substances, including the manufacture of fruit ethers, and tests of their purityDeite, C. (Carl)
History
A practical treatise on the manufacture of perfumery : $b comprising directions for making all kinds of perfumes, sachet powders, fumigating materials, dentrifices, cosmetics, etc., etc., with a full account of the volatile oils, balsams, resins, and other natural and artificial perfume-substances, including the manufacture of fruit ethers, and tests of their purity
Deite, C. (Carl)
Cosmetics; Perfumes; Perfumes industry
A PRACTICAL TREATISE
ON THE
MANUFACTURE OF PERFUMERY.
CHAPTER I.
HISTORICAL NOTICE OF PERFUMERY.
Nature has implanted in man the instinct of finding the odor
accompanying decay and putrefaction insufferable, of fleeing from it,
and of going in quest of fragrant odors. Hence, in ancient times,
perfume substances were highly esteemed, and an offering of them was
considered a sign of the most profound reverence and homage. The early
nations of the Orient especially used perfume substances in such
profusion that the consumption of them by the finest lady of to-day
must be called a comparatively moderate one. This may, however, be
readily explained, for, on the one hand, the majority of plants which
produce the most agreeable perfumes in larger quantity are indigenous
to the Orient; and, on the other, the excessive exhalations from the
human body, caused by the hot climate, forced the people to search for
means to remove, or at least to cover, the disagreeable odor arising
therefrom.
Since fragrant odors were agreeable to human beings, it was believed
that they must be welcome also to the gods, and, to honor them, perfume
substances were burned upon the altars. Besides, as an offering to
the gods, perfume substances were extensively used by many nations,
especially by the Egyptians, for embalming the dead, the process
employed by the latter having been transmitted to us by the ancient
authors Herodotus and Diodorus.
Furthermore, a desire for ornamentation and to give to the face and
body as pleasing an appearance as possible, is common to all mankind.
To be sure, the ideas of what constitutes beauty in this respect
have varied at different times and among the various nations. But,
independent of the savage races, who consider painting and tattooing
the body and face an embellishment, and taking into consideration only
the earliest civilized nations, it is astonishing how many arts of the
toilet have been preserved from the most ancient historical times up
to the present. "In the most ancient historical times, people perfumed
and painted, frizzed, curled, and dyed the hair as at present, and, in
fact, the same cosmetics, only slightly augmented, which were in use
hundreds, nay, thousands, of years ago are still employed to-day."[1]
It is especially woman, who everywhere exercises the arts of the
toilet, while, with the exception of perfumes and agents for the hair,
man is but seldom referred to as making use of cosmetics. The young
girls of ancient Egypt used red and white paints, colored their pale
lips, and anointed their hair with sweet-scented oils; they dyed their
eyelashes and eyelids black to impart a brighter lustre to the glance
of the eye, and the mother of the wife of the first king of Egypt is
said to have already composed a receipt for a hair-dye.
[1] Paschkis, Kosmetik für Aerzte. Wien, 1890.
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