A practical treatise on the manufacture of perfumery : $b comprising directions for making all kinds of perfumes, sachet powders, fumigating materials, dentrifices, cosmetics, etc., etc., with a full account of the volatile oils, balsams, resins, and other natural and artificial perfume-substances, including the manufacture of fruit ethers, and tests of their purityDeite, C. (Carl)
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A practical treatise on the manufacture of perfumery : $b comprising directions for making all kinds of perfumes, sachet powders, fumigating materials, dentrifices, cosmetics, etc., etc., with a full account of the volatile oils, balsams, resins, and other natural and artificial perfume-substances, including the manufacture of fruit ethers, and tests of their purity
Deite, C. (Carl)
Cosmetics; Perfumes; Perfumes industry
Stannic oxide (putty powder) 2 lbs., carmine 5½ drachms, oils of
bergamot and lavender each 2½ drachms. Rub the stannic oxide as fine as
possible and mix it in the mortar with the other ingredients.
_Lip-salve_ No. 1.--_Pomm. Rose_ No. 24 or 30, 8 ozs., best carmine
nacarat 2½ drachms.
Convert the carmine to a fine powder and thoroughly triturate it with
the _Pomm. Rose_ in a porcelain mortar until no more specks of carmine
are perceptible. By this trituration the salve becomes very soft
and delicate, so that it can be conveniently pressed into the small
boxes. A pleasing lustre is then imparted to the surface of the salve
by carefully moving each box to and fro over the flame of an alcohol
lamp. It may here be remarked that carmine nacarat is the best coloring
matter for lip-salve, it being far more resistant than, for instance,
alkannin, which, in contact with the skin, readily acquires a bluish
coloration.
If lip-salve of a more solid consistency is desired, the object may be
attained by the addition of a few drachms of white beeswax. However,
in this case, the pomade must be melted in a water-bath, or the pomade
and wax melted together. Then add the carmine, stir until cold, fill
into boxes and make the surface lustrous over an alcohol flame.
_Lip-salve_ No. 2.--_Pomm. Rose_ No. 6 or 12, 10½ ozs., _Huile antique
rose_ No. 6 or 12, 14 drachms, white beeswax 5½ drachms, carmine
nacarat 2¾ drachms.
Melt the wax in a porcelain or enamelled vessel, then add, first, the
oil, combine it with the wax, then add the pomade and finally the
carmine. When all this is intimately mixed, stir it until cold. The
further process is the same as given for No. 1.
PAINTS.--The object of paints is to hide blemishes of the skin and to
impart to it a different color--as a rule a youthful one--from that
bestowed by nature, though under certain conditions, especially in the
case of actors, they are also employed for the purpose of changing the
expression of the face. A distinction is made between pulverulent,
solid, liquid and fat paints.
PULVERULENT PAINTS (POWDERS).--The simplest powder is wheat starch.
It forms a dull white powder with a bluish lustre, and is perfectly
harmless. Powdered talc, prepared in the manner previously described
(p. 330), is also much used for powder. By mixing 100 parts of prepared
talc, while still moist, with 12 parts of spermaceti, previously rubbed
to a moist powder with some rectified alcohol, and drying at a moderate
heat, a product known in commerce as "Blanc fard," or "Blanc français,"
is obtained.
Public-domain text, read in full here on John Shaqi.
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