A practical treatise on the manufacture of perfumery : $b comprising directions for making all kinds of perfumes, sachet powders, fumigating materials, dentrifices, cosmetics, etc., etc., with a full account of the volatile oils, balsams, resins, and other natural and artificial perfume-substances, including the manufacture of fruit ethers, and tests of their purityDeite, C. (Carl)
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A practical treatise on the manufacture of perfumery : $b comprising directions for making all kinds of perfumes, sachet powders, fumigating materials, dentrifices, cosmetics, etc., etc., with a full account of the volatile oils, balsams, resins, and other natural and artificial perfume-substances, including the manufacture of fruit ethers, and tests of their purity
Deite, C. (Carl)
Cosmetics; Perfumes; Perfumes industry
Talc by itself not furnishing a beautiful white, it is mixed, according
to circumstances, with _subnitrate of bismuth_ (_flake-white_),
_magnesia_, _chalk_ or _zinc-white_. _White lead_, though frequently
used, cannot be recommended, it being injurious to health. Subnitrate
of bismuth furnishes the best white; it has, however, the disadvantage
of turning brown in air containing sulphuretted hydrogen. Zinc-white
does not have this defect, but lacks the lustre and pure white color.
Customary mixtures for powders are as follows:--
I. Carbonate of magnesia and wheat starch each 5 parts, prepared talc
15, zinc-white 10.
II. Carbonate of magnesia and chalk each 5 parts, prepared talc 15,
subnitrate of bismuth 20.
The powders are prepared in three colors: white, rose-color and
yellowish. To heighten the white color the powder is mixed with about
⅓ of one per cent. of ultra-marine. For rose color some carmine is
used, and for coloring yellowish some carmine and yellow ochre.
A powder for coloring more intensely red is prepared as follows: Mix
100 parts of prepared talc with 2.5 or more parts of carmine, according
to the desired shade of color. The carmine is triturated by itself and
in small portions added to the talc. It should not be dissolved, as
given in many directions, in ammonia, it losing thereby its fiery red.
To obtain an especially delicate powder, the finished article should be
carefully bolted through silk.
SOLID PAINTS.--Solid paints may be prepared from the above-mentioned
powders by stirring them to a paste with thin gum solution.
_Ordinary red paint_ (_rouge_).--Prepared talc 2 lbs., carmine 1 oz.,
gum-tragacanth mucilage prepared from distilled water 3½ ozs. and
gum-tragacanth 2¼ drachms, best olive oil 5½ drachms, best alcohol 1
oz., spirits of sal ammoniac ½ tablespoonful, distilled water as much
as required.
_Fine red paint_ (_rouge_).--Prepared talc 2 lbs., carmine 1½ ozs.,
gum-tragacanth mucilage prepared from distilled water 3½ ozs. and
gum-tragacanth 2¼ drachms, best olive oil 5½ drachms, _Extrait rose_
No. 1, 1 oz., spirits of sal ammoniac ½ tablespoonful, rose water as
much as required.
_White paint._--Prepared talc 2 lbs., gum-tragacanth mucilage prepared
from distilled water 3½ ozs. and gum-tragacanth 2¼ drachms, best olive
oil 5½ drachms, _Extrait rose_ No. 1, 1 oz., rose water as much as
required.
The above-mentioned paints may be filled in small porcelain boxes,
which must, however, be hermetically closed to prevent drying out. To
obviate the latter, the paints may be mixed with glycerin, which must,
however, be carefully done so that the mass does not become liquid; too
much glycerin may also make the paint blue.
Public-domain text, read in full here on John Shaqi.
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