But were not nearly all their songs--like those of all dwellers on a rocky and dangerous coast--of a sad and sombre hue, telling of maidens whose lovers were drowned, and of wives bidding farewell to husbands they were never to see again? Slow and mournful are the songs that the Northern fishermen sing as they set out in the evening, with the creaking of the long oars keeping time to the music, until they get out beyond the shore to hoist the red mainsail and catch the breeze blowing over from the regions of the sunset. Not one of these Habost fishermen could sing a brisk song, but the nearest approach to it was a ballad in praise of a dark-haired girl, which they, owning the _Nighean dubh_, were bound to know. And so one young fellow began to sing, “Mo Nighean dubh d’fhas boidheach dubh, mo Nighean dubhna treig mi,”[1] in a slow and doleful fashion, and the others joined in the chorus with a like solemnity. In order to keep time, four of the men followed the common custom of taking a pocket handkerchief (in this case an immense piece of brilliant red silk, which was evidently the pride of its owner), and holding it by the four corners letting it slowly rise and fall as they sang. The other three men laid hold of a bit of rope, which they used for the same purpose. “Mo Nighean dubh,” unlike most of the Gaelic songs, has but a few verses; and, as soon as they were finished, the young fellow, who seemed pleased with his performance, started another ballad. Perhaps he had forgotten his host’s injunction, perhaps he knew no merrier song, but at any rate he began to sing the “Lament of Monaltrie.” It was one of Sheila’s songs. She had sung it the night before in this very room, and her father had listened to her describing the fate of young Monaltrie as if she had been foretelling her own, and scarcely dared to ask himself if ever again he should hear the voice that he loved so well. He could not listen to the song. He abruptly left the room and went out once more into the cool night-air and the darkness. But even here he was not allowed to forget the sorrow he had been vainly endeavoring to banish, for in the far distance the pipes still played the melancholy wail of Lochaber. Lochaber no more! Lochaber no more! --that was the only solace brought him by the winds from the sea; and there were tears running down the hard gray face as he said to himself, in a broken voice, “Sheila, my little girl, why did you go away from Borva?” CHAPTER II. THE FAIR-HAIRED STRANGER. “Why you must be in love with her yourself!” “I in love with her? Sheila and I are too old friends for that!”