For, having it, he knew not at first what use to make of it. This dawned upon him suddenly when the sunlight splashed his tawdry slippers with its gold. The movement to the open window was really instinctive beginning of a search, as though in the free, wonderful spaces out of doors he would find the thing he sought to do. Now, settled back in the deep arm-chair, he realised that he had not found it. The memories of childhood had flashed into him instead. He renewed the search before the dying fire, waiting for the sound of Minks' ascending footsteps on the stairs. ... And this revival of the childhood mood was curious, he felt, almost significant, for it was symbolical of so much that he had deliberately, yet with difficulty, suppressed and put aside. During these years of concentrated toil for money, his strong will had neglected of set purpose the call of a robust imagination. He had stifled poetry just as he had stifled play. Yet really that imagination had merely gone into other channels--scientific invention. It was a higher form, married at least with action that produced poetry in steel and stone instead of in verse. Invention has ever imagination and poetry at its heart. The acquirement of wealth demanded his entire strength, and all lighter considerations he had consistently refused to recognise, until he thought them dead. This sudden flaming mood rushed up and showed him otherwise. He reflected on it, but clumsily, as with a mind too long trained in the rigid values of stocks and shares, buying and selling, hard figures that knew not elasticity. This softer subject led him to no conclusion, leaving him stranded among misty woods and fields of flowers that had no outlet. He realised, however, clearly that this side of him was not atrophied as he thought. Its unused powers had merely been accumulating--underground.