A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)Blackwood, Algernon
Science
A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)
Blackwood, Algernon
Magic -- Fiction; Voyages and travels -- Fiction
'You're right,' smiled the other, following her thought; 'and you
couldn't begin with a better bit of work than that. Your old mother
has cut herself off so long from giving sympathy to her kind that now
she cannot accept it from others without feeling suspicion and
distrust. Ease and soften her outlook if you can. Pour through her
gloom the sympathy of stars. And remember,' she added, as Mother rose
softly out of the trees and hovered a moment overhead, 'that if you
need the Sweep or the Lamplighter, or the Gardener to burn away her
dead leaves, you have only to summon them. Think hard, and they'll be
instantly beside you.'
Upon an eddy of glowing wind Mother drifted across the fields to the
corner of the village where her mother occupied a large single room in
solitude upon the top floor, a solitude self-imposed and rigorously
enforced.
'Use the finest quality,' she heard her friend thinking far behind
her, 'for you have plenty of it. The Dustman gave it to you when you
were not looking, gathered from the entire Zodiac... and from the
careless meteor's track....'
The words died off into the forest.
_That_ he keeps only
For the old and lonely,
(And is very strict about it)
Who sleep so little that they need the best--'
The words came floating behind her. She felt herself brimful--charged
with loving sympathy of the sweetest and most understanding quality.
She looked down a moment upon her mother's roof. Then she descended.
CHAPTER XXV
And also there's a little star--
So white, a virgin's it must be;--
Perhaps the lamp my love in heaven
Hangs out to light the way for me.
_Song_, THEOPHILE MARZIALS.
In this corner of Bourcelles the houses lie huddled together with an
air of something shamefaced; they dare not look straight at the
mountains or at the lake; they turn their eyes away even from the
orchards at the back. They wear a mysterious and secret look, and
their shoulders have a sly turn, as though they hid their heads in the
daytime and stirred about their business only after dark.
They lie grouped about a cobbled courtyard that has no fountain in it.
The fair white road goes quickly by outside, afraid to look in
frankly; and the entrance to the yard is narrow. Nor does a single
tree grow in it. If Bourcelles could have a slum, this would be it.
Public-domain text, read in full here on John Shaqi.
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