A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)Blackwood, Algernon
Science
A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)
Blackwood, Algernon
Magic -- Fiction; Voyages and travels -- Fiction
Why the old lady had left her cosy quarters in Les Glycines and
settled down in this unpleasant corner of the village was a puzzle to
everybody. With a shrug of the shoulders the problem was generally
left unsolved. Madame Jequier discussed it volubly a year ago when the
move took place, then dismissed it as one of those mysteries of old
people no one can understand. To the son-in-law and the daughter, who
got nearer the truth, it was a source of pain and sadness beyond their
means of relief. Mrs. 'Plume'--it was a play in French upon her real
name,--had been four years in the Pension, induced to come from a
lonely existence in Ireland by her daughter and throw in her lot with
the family, and at first had settled down comfortably enough. She was
over seventy, and possessed 80 pounds a year--a dainty, witty, amusing
Irish lady, with twinkling eyes and a pernicketty strong will, and a
brogue she transferred deliciously into her broken French. She loved
the children, yet did not win their love in return, because they stood
in awe of her sarcastic criticisms. Life had gone hardly with her; she
had lost her fortune and her children, all but this daughter, with
whose marriage she was keenly disappointed. An aristocrat to the
finger-tips, she could not accept the change of circumstances;
distress had soured her; the transplanting hastened her decline; there
was no sweetness left in her. She turned her heart steadily against
the world.
The ostensible cause of this hiding herself away with her sorrow and
disappointment was the presence of Miss Waghorn, with whom she
disagreed, and even quarrelled, from morning till night. They formed a
storm-centre that moved from salon to dining-room, and they squabbled
acutely about everything--the weather, the heating, the opening or
shutting of windows, the details of the food, the arrangement of the
furniture, even the character of the cat. Miss Waghorn loved. The
bickerings were incessant. They only had to meet for hot disagreement
to break out. Mrs. Plume, already bent with age, would strike the
floor with the ebony stick she always carried, and glare at the erect,
defiant spinster--'That horrud, dirrty cat; its always in the room!'
Then Miss Waghorn: 'It's a very nice cat, Madame'--she always called
her Madame--'and when _I_ was a young girl I was taught to be kind to
animals.'--'The drawing-room is _not_ the place for animals,' came the
pricking answer. And then the scuffle began in earnest.
Miss Waghorn, owing to her want of memory, forgot the squabble five
minutes afterwards, and even forgot that she knew her antagonist at
all. She would ask to be introduced, or even come up sweetly and
introduce herself within half an hour of the battle. But Madame Plume
forgot nothing; her memory was keen and accurate. She did not believe
in the other's failing. 'That common old woman!' she exclaimed with
angry scorn to her daughter.
'It's deliberate offensiveness, that's all it is at all!' And she left
the Pension.
Public-domain text, read in full here on John Shaqi.
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