A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)Blackwood, Algernon
Science
A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)
Blackwood, Algernon
Magic -- Fiction; Voyages and travels -- Fiction
It was curious at first, though, how the acquired nature made a
struggle to assert itself, and the practical side of him, developed in
the busy markets of the world, protested. It was automatic rather, and
at best not very persistent; it soon died away. But, seeing the gravel
everywhere, he wondered if there might not be valuable clay about,
what labour cost, and what the nearest stations were for haulage; and,
seeing the hop-poles, he caught himself speculating what wood they
were made of, and what varnish would best prevent their buried points
from going rotten in this particular soil. There was a surge of
practical considerations, but quickly fading. The last one was stirred
by the dust of a leisurely butcher's cart. He had visions of a paste
for motor-roads, or something to lay dust ... but, before the dust had
settled again through the sunshine about his feet, or the rumble of
the cart died away into distance, the thought vanished like a
nightmare in the dawn. It ran away over the switchback of the years,
uphill to Midsummer, downhill to Christmas, jumping a ditch at Easter,
and a hedge at that terrible thing known as ''Clipse of the Moon.' The
leaves of the elm trees whispered overhead. He was moving through an
avenue that led towards big iron gates beside a little porter's lodge.
He saw the hollies, and smelt the laurustinus. There lay the triangle
of uncut grass at the cross-roads, the long, grey, wooden palings
built upon moss-grown bricks; and against the sky he just caught a
glimpse of the feathery, velvet cedar crests, crests that once held
nails of golden meteors for his Net of Stars.
Determined to enjoy his cake and eat it at the same time as long as
possible, he walked down the road a little distance, eyeing the lawns
and windows of the house through narrow gaps between the boarding of
the fence. He prolonged the pleasures of anticipation thus, and,
besides, he wished to see if the place was occupied or empty. It
looked unkempt rather, the gardens somewhat neglected, and yet there
hung an air of occupancy about it all. He had heard the house had
changed hands several times. But it was difficult to see clearly; the
sunshine dazzled; the lilac and laburnum scattered sheets of colour
through which the shadows wove themselves an obscuring veil, He kept
seeing butterflies and chasing them with his sight.
'Can you tell me if this house is occupied?' he asked abruptly of an
old gentleman who coughed suddenly behind him.
It was an explanation as well as a question, for the passer-by had
surprised him in a remarkable attitude. He was standing on tiptoe upon
the parapet of brick, pulling himself up above the fence by his hands,
and his hat had fallen into the road.
'The shrubberies are so dense I can't see through them,' he added,
landing upon his feet with a jump, a little breathless. He felt rather
foolish. He was glad the stranger was not Minks or one of his fellow
directors. 'The fact is I lived here as a boy. I'm not a burglar.'
Public-domain text, read in full here on John Shaqi.
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