A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)Blackwood, Algernon
Science
A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)
Blackwood, Algernon
Magic -- Fiction; Voyages and travels -- Fiction
And again the phrase was as familiar to him as though he had said it
himself--heard it, read it, dreamed it, even. Whatever its fairy
source, he knew it. His bewilderment increased absurdly. The things
she said were so ordinary, yet so illuminating, though never quite
betraying their secret source. Where had he heard them? Where had he
met this little foreign visitor? Whence came the singular certainty
that she shared this knowledge with him, and might presently explain
it, all clear as daylight and as simple? He had the odd impression
that she played with him, delayed purposely the moment of revelation,
even expected that _he_ would be the first to make it known. The
disclosure was to come from himself! She provided him with
opportunities--these little sparkling sentences! But he hid in his
corner, silent and magically excited, afraid to take the lead. These
sentences were addressed to him. There was conversation thus between
the two of them; but his replies remained inaudible. Thought makes no
sound; its complete delivery is ever wordless.... He felt very big,
and absurdly shy.
It was gesture, however, that infallible shorthand of the mind, which
seemed the surest medium of this mute delightful intercourse. For each
little gesture that she made--unconsciously, of course--expressed more
than the swiftest language could have compassed in an hour. And he
noted every one: the occasional flourish of the little hands, the
bending of the graceful neck, the shadowy head turned sideways, the
lift of one shoulder, almost imperceptible, and sometimes the attitude
of the entire body. To him they were, one and all, eloquently
revealing. Behind each little gesture loomed a yet larger one, the
scale increasing strangely, till his thoughts climbed up them as up a
ladder into the region where her ideas lay naked before casual
interpretation clothed them. Those, he reflected, who are rich in
ideas, but find words difficult, may reveal themselves prodigally in
gesture. Expression of one kind or another there must be; yet lavish
action, the language of big souls, seems a man's expression rather
than a woman's.... He built up swiftly, surely, solidly his
interpretation of this little foreign visitor who came to him thus
suddenly from the stars, whispering to his inmost thought, 'You must
come up to me.' The whole experience dazed him. He sat in utter
dumbness, shyer than a boy, but happier than a singing star!... The
Joy in his heart was marvellous.
Yet how could he know all this?
Public-domain text, read in full here on John Shaqi.
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