A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)Blackwood, Algernon
Science
A Prisoner in Fairyland (The Book That 'Uncle Paul' Wrote)
Blackwood, Algernon
Magic -- Fiction; Voyages and travels -- Fiction
In the intervals that came to him like breathing spaces he asked
himself this childish question. How could he tell that this little
soft being with the quiet unobtrusive manners had noble and great
beauty of action in her anywhere? A few pretty phrases, a few
significant gestures, these were surely a slight foundation to build
so much upon! Was there, then, some absolute communion of thought
between the two of them such as his cousin's story tried to show? And
had their intercourse been running on for years, neither of them aware
of it in the daytime? Was this intimate knowledge due to long
acquaintance? Had her thought been feeding him perhaps since childhood
even?
In the pause of his temporary lunacy he asked himself a dozen similar
questions, but before the sign of any answer came he was off again,
sweeping on outstretched wings among the stars. He drank her in. He
knew. What was the good of questions? A thirsty man does not stop
midway in his draught to ask when his thirst began, its cause, or why
the rush of liquid down his throat is satisfying. He knows, and
drinks. It seemed to Henry Rogers, ordinary man of business and
practical affairs, that some deep river which so long had flowed deep
out of sight, hidden below his daily existence, rose now grandly at
the flood. He had heard its subterranean murmurs often. Here, in the
Den, it had reached his lips at last. And he quenched his thirst....
His thought played round her without ceasing, like flowing water....
This idea of flux grew everywhere about him. There was fluid movement
in this world within a world. All life was a flowing past of ceaseless
beauty, wonder, splendour; it was doubt and question that dammed the
rush, causing that stoppage which is ugly, petty, rigid. His being
flowed out to mingle with her own. It was all inevitable, and he never
really doubted once. Only before long he would be compelled to act--to
speak--to tell her what he felt, and hear her dear, dear answer....
The excitement in him became more and more difficult to control.
Already there was strain and tension below his apparent outer
calmness. Life in him burst forward to a yet greater life than he had
ever known....
The others--it was his cousin's voice this time--were speaking of the
Story, and of his proposed treatment of it in its larger version as a
book. Daddy was saying, apparently, that it must fail because he saw
no climax for it. The public demanded a cumulative interest that
worked up to some kind of thrilling denouement that they called a
climax, whereas his tale was but a stretch of life, and of very
ordinary life. And Life, for the majority, knew no such climax. How
could he manage one without inventing something artificial?
Public-domain text, read in full here on John Shaqi.
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