Colorado -- Fiction; Gamblers -- Fiction; Love stories; Redemption -- Fiction; Western stories
It was about this time that she began to notice a rather remarkable
change in Isabel. From being the most outspoken member of the family,
the younger sister had developed a degree of reticence which was second
only to Will’s churlishness, though Dorothy fancied it was sorrowful
rather than sullen. From day to day she spent less time at her easel,
and twice Dorothy had come upon her when her eyes were red with
weeping. To inquiry, jesting or solicitous, she was stonily impervious,
and when the thing became unbearable Dorothy went to her mother again,
meaning to be at the heart of things if persistence could find the way.
She chose her time cunningly, attacking after her mother had gone to
bed, so there would be no chance of retreat.
“How should I know, dear?” was the mother’s reply to her first question
about Isabel. “I haven’t noticed anything wrong with her.”
“But there _is_ something wrong,” Dorothy insisted. “She hasn’t been
like herself for days. She mopes, and she doesn’t paint; and twice I
have caught her crying, though she denied it spitefully.”
Mrs. Langford’s answer to that was conventionally sympathetic.
“It is another of the unthinkable pictures, I suppose. I do wish the
child wouldn’t torment herself so over her work. It is all well enough
as an accomplishment, but she needn’t make a martyr of herself. Harry
is quite right about that.”
Having a very considerable reverence for art, Dorothy was not so sure
of this, but she left the point uncontested and asked a question
suggested by the mention of Harry Antrim.
“You don’t suppose she has quarrelled with Harry, do you?”
“It is quite possible. It’s a way they have had ever since they were
children together.”
“Still, it might be serious this time.”
“No fear of that,” said the mother easily. “Isabel thinks a great deal
more of him than she has ever admitted, even to herself, perhaps. And
as for Harry, I would as soon think of the world coming to an end as of
his giving her up.”
Dorothy was silenced, but not convinced.
“That was one thing I wanted to speak about, mamma,” she said,
gathering herself for the plunge; “but there is another. I want to know
what has come over us all lately. We seem to be groping about in the
dark, trying to hide things from each other. What is the mystery? and
why can’t I share it?”
“Mystery? Nonsense, child! there is no mystery.”
But Dorothy was insistent. “Yes, there is. First, Mr. Brant does us a
kindness and drops us, all in the same day. Then, when I wonder at it,
you put me off, and father goes deaf, and Will gets angry. And when
I ask Harry a civil question about his friend, he snaps me up only
a little less savagely than brother. Now Isabel has turned blue and
won’t talk, and--and, altogether we seem to be turning into a family
of freaks. What is at the bottom of it all? Why doesn’t Mr. Brant come
here any more?”
The mother’s smile would have been full of meaning for the daughter if
the darkness had not hidden it.
Public-domain text, read in full here on John Shaqi.
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