A Protegee of Jack Hamlin's, and Other StoriesHarte, Bret
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A Protegee of Jack Hamlin's, and Other Stories
Harte, Bret
American fiction -- 19th century; Short stories; Western stories
A glow of surprised relief suffused the gambler. Not so much at this
astonishing revelation as at the change it seemed to effect in her. Her
pale blue eyes, made paler by tears, cleared and brightened under
their swollen lids like wiped steel; the lines of her depressed mouth
straightened and became firm. Her voice had lost its hopeless monotone.
“There's a shop in the next street,--a photographer's,--where they
have one of mine in their windows,” she went on, reassured by Jack's
unaffected interest. “It's only round the corner, if you care to see.”
Jack assented; a few paces farther brought them to the corner of a
narrow street, where they presently turned into a broader thoroughfare
and stopped before the window of a photographer. Sophy pointed to an
oval frame, containing a portrait painted on porcelain. Mr. Hamlin was
startled. Inexperienced as he was, a certain artistic inclination
told him it was good, although it is to be feared he would have been
astonished even if it had been worse. The mere fact that this headstrong
country girl, who had run away with a cur like Stratton, should be able
to do anything else took him by surprise.
“I got ten dollars for that,” she said hesitatingly, “and I could have
got more for a larger one, but I had to do that in my room, during
recreation hours. If I had more time and a place where I could
work”--she stopped timidly and looked tentatively at Jack. But he was
already indulging in a characteristically reckless idea of coming back
after he had left Sophy, buying the miniature at an extravagant price,
and ordering half a dozen more at extraordinary figures. Here, however,
two passers-by, stopping ostensibly to look in the window, but really
attracted by the picturesque spectacle of the handsome young rustic and
his schoolgirl companion, gave Jack such a fright that he hurried
Sophy away again into the side street. “There's nothing mean about that
picture business,” he said cheerfully; “it looks like a square kind of
game,” and relapsed into thoughtful silence.
At which, Sophy, the ice of restraint broken, again burst into
passionate appeal. If she could only go away somewhere--where she saw no
one but the people who would buy her work, who knew nothing of her past
nor cared to know who were her relations! She would work hard; she knew
she could support herself in time. She would keep the name he had given
her,--it was not distinctive enough to challenge any inquiry,--but
nothing more. She need not assume to be his niece; he would always be
her kind friend, to whom she owed everything, even her miserable life.
She trusted still to his honor never to seek to know her real name, nor
ever to speak to her of that man if he ever met him. It would do no good
to her or to them; it might drive her, for she was not yet quite sure of
herself, to do that which she had promised him never to do again.
Public-domain text, read in full here on John Shaqi.
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