A Protegee of Jack Hamlin's, and Other StoriesHarte, Bret
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A Protegee of Jack Hamlin's, and Other Stories
Harte, Bret
American fiction -- 19th century; Short stories; Western stories
“Did she know you went with him?” asked Jack.
“No; but she knows I ran away.”
“Well, you ran away from home to study how to be an artist, don't
you see? Some day she'll find out you ARE ONE; that settles the whole
thing.”
They were both quite cheerful again when Aunt Chloe returned to
clear the table, especially Jack, who was in the best spirits, with
preternaturally bright eyes and a somewhat rare color on his cheeks.
Aunt Chloe, who had noticed that his breathing was hurried at times,
watched him narrowly, and when later he slipped from the room, followed
him into the passage. He was leaning against the wall. In an instant the
negress was at his side.
“De Lawdy Gawd, Marse Jack, not AGIN?”
He took his handkerchief, slightly streaked with blood, from his lips
and said faintly, “Yes, it came on--on the boat; but I thought the
d----d thing was over. Get me out of this, quick, to some hotel, before
she knows it. You can tell her I was called away. Say that”--but his
breath failed him, and when Aunt Chloe caught him like a child in her
strong arms he could make no resistance.
In another hour he was unconscious, with two doctors at his bedside, in
the little room that had been occupied by Sophy. It was a sharp attack,
but prompt attendance and skillful nursing availed; he rallied the next
day, but it would be weeks, the doctors said, before he could be removed
in safety. Sophy was transferred to the parlor, but spent most of her
time at Jack's bedside with Aunt Chloe, or in the studio with the door
open between it and the bedroom. In spite of his enforced idleness and
weakness, it was again a singularly pleasant experience to Jack; it
amused him to sometimes see Sophy at her work through the open door, and
when sitters came,--for he had insisted on her continuing her duties as
before, keeping his invalid presence in the house a secret,--he had all
the satisfaction of a mischievous boy in rehearsing to Sophy such of
the conversation as could be overheard through the closed door, and
speculating on the possible wonder and chagrin of the sitters had they
discovered him. Even when he was convalescent and strong enough to be
helped into the parlor and garden, he preferred to remain propped up in
Sophy's little bedroom. It was evident, however, that this predilection
was connected with no suggestion nor reminiscence of Sophy herself. It
was true that he had once asked her if it didn't make her “feel like
home.” The decided negative from Sophy seemed to mildly surprise him.
“That's odd,” he said; “now all these fixings and things,” pointing
to the flowers in a vase, the little hanging shelf of books, the
knickknacks on the mantel-shelf, and the few feminine ornaments that
still remained, “look rather like home to me.”
Public-domain text, read in full here on John Shaqi.
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