A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and IrelandWilkins, W. H. (William Henry)
History
A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and Ireland
Wilkins, W. H. (William Henry)
Caroline Mathilde, Queen, consort of Christian VII, King of Denmark, 1751-1775
After the fall of Walpole several of the Prince's friends took office,
and a formal, though by no means cordial, reconciliation was patched
up between the King and the Heir Apparent, but there was always veiled
hostility between them, and from time to time their differences
threatened to become acute. For instance, after the Jacobite rising the
Prince of Wales disapproved of the severities of his brother, the Duke
of Cumberland, "the butcher of Culloden," and showed his displeasure in
no unequivocal manner. When the Jacobite peers were condemned to death
the Prince and Princess interceded for them, in one case with success.
Lady Cromartie, after petitioning the King in vain for her husband's
life, made a personal appeal, as a wife and mother, to the Princess of
Wales, and brought her four children to plead with her as well. The
Princess said nothing, but, with evident emotion, summoned her own
children and placed them beside her. This she followed by praying the
King for Cromartie's life, and her prayer was granted.
After the reconciliation the Prince and Princess of Wales occasionally
attended St. James's, but since the death of Queen Caroline the court
of George II. had lost its brilliancy and become both gross and
dull, in this respect contrasting unfavourably with Leicester House.
Grossness and dulness were characteristic of the courts of our first
two Hanoverian kings, but whatever complaint might be brought against
Leicester House, the society there was far livelier and more refined
than that which assembled at St. James's. The popular grievance against
Leicester House was that it was too French. France was just then very
unpopular in England, and the British public did not like the French
tastes of the Prince of Wales--the masques imitated from Versailles,
the French plays acted by French players and the _petits soupers_. High
play also took place at Leicester House, but the Princess did her best
to discourage this. In the other frivolities which her husband loved
she acquiesced, more for the sake of keeping her influence over him
than because she liked them. Her tastes were simple, and her tendencies
puritanical.
Public-domain text, read in full here on John Shaqi.
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