A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and IrelandWilkins, W. H. (William Henry)
History
A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and Ireland
Wilkins, W. H. (William Henry)
Caroline Mathilde, Queen, consort of Christian VII, King of Denmark, 1751-1775
It is difficult to follow the cross-currents of politics at the Danish
court during the early years of the reign of Christian VII., but so
far as foreign affairs were concerned, the position may be briefly
summarised thus: The main object of England was to check France; the
main object of Sweden was to check Russia. Therefore, whatever was
disagreeable to France at Copenhagen was agreeable to England. Whatever
was disagreeable to Sweden was agreeable to Russia. Failing to see
her own influence in the ascendant at the Danish court, England would
prefer to see that of Russia. Bernstorff, the Prime Minister, was very
friendly to Russia, and not ill-disposed to England. Therefore, the
French envoy and Madame de Plessen intrigued against him. In domestic
politics also the Queen's chief lady was in opposition to Bernstorff,
and to her chambers flocked malcontents, including many of the staider
and more conservative among the Danish nobility, who shook their heads
over the misgovernment of the Prime Minister, and the follies and
extravagancies of the King and his friends.
The advent of the young Queen was made an excuse for the King to
gratify his passion for festivity and display. During the preceding
reign the court had led a comparatively quiet life, but the winter
following Christian VII.'s marriage was an unceasing round of gaiety.
Balls, banquets, concerts, masques, operas and plays, hunting parties,
sledge parties, circuses, and excursions to the different royal castles
around Copenhagen--there were a good many--succeeded one another in
quick succession. The King had a great love for the play, so he built
a court theatre at the Christiansborg Palace and decorated it without
regard to expense. A French company acted there, and the King and his
suite frequently took part in the performances. The King acted a part
in Voltaire's _Zaire_, and his performance was received with great
applause. He was so much impressed with his dramatic talents that he
twice repeated his performance in the larger theatre of Copenhagen, and
there the general public were permitted to attend. Acting, however, was
but a passing phase with the King, and he soon tired of it, though he
undoubtedly showed talent.
Public-domain text, read in full here on John Shaqi.
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