A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and IrelandWilkins, W. H. (William Henry)
History
A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and Ireland
Wilkins, W. H. (William Henry)
Caroline Mathilde, Queen, consort of Christian VII, King of Denmark, 1751-1775
Madame de Plessen did all she could to prevent the Queen from taking
part in the court festivities, but Matilda, who was young, and fond of
pleasure, could not be prevailed upon to absent herself altogether,
more especially as by doing so she would incur the displeasure of the
King. But she never appeared unless attended by Madame de Plessen, and
turned to her always for guidance. It was Madame de Plessen who chose
the ladies to dance in the same quadrilles as the Queen, and she took
care that none, however beautiful or fashionable they might be, should
be admitted to this honour if there were the slightest blemish upon
their reputation. With men the same care was not necessary, for, as a
matter of etiquette, the Queen never danced with any but princes of
the blood, ambassadors, ministers of state, or others it was deemed
advisable to honour in an especial manner.
The introduction of masquerades was a still more startling innovation,
and gave great offence to the two Dowager-Queens. Sophia Magdalena
protested, but though her protests were supported by several of the
ministers, and the more prominent among the clergy, they were unheeded.
The King and his friends anticipated too many gallant adventures to
forego the opportunities which a masked ball offered, and they wished
to imitate at Copenhagen those masquerades held at the opera in Paris.
The first masked ball ever given in Denmark was held in December in
the Christiansborg Palace. All the ladies and gentlemen belonging to
the first three classes were admitted, besides all officers belonging
to both services. They were allowed to appear in any fancy dress they
chose, the only restriction being that they should not come "in the
likeness of an animal or any unseemly disguise". The King appeared
as a Sultan, and his immediate following were also in eastern dress.
The point was fiercely debated whether the Queen should appear at the
masquerades or not; the Dowager-Queens and Madame de Plessen being
wholly against it, and the King insisting upon it. Finally a compromise
was arrived at; Matilda showed herself to the company for a short
time, and then retired to her apartments to play chess with court
ladies chosen for her by Madame de Plessen, and the elderly wives of
ministers. It was as well that the Queen retired early, for the tone of
the masquerade became more and more free as the evening wore on, and
degenerated at last into riotous licence.
Public-domain text, read in full here on John Shaqi.
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