And I tried that plan. As docile as a lamb she entered the phaeton,
which I conjured up out of my ink-pot, and like a veteran Jehu did she
seize the reins. I could not help admiring her as I wrote of it—she was
so like a goddess; but I did not relent. Run away with she must be, and
run away with she was. But again did this extraordinary woman assert
herself to my discomfiture; for the moment she saw Bonetti rushing out to
rescue her from the east, she jerked the left rein so violently that the
horse swerved to one side, toppled over on Osborne, who had sprung
gallantly to the rescue from the west; and Bonetti, missing his aim as
the horse turned, fell all in a heap in the roadway two yards back of the
phaeton. Miss Andrews was not hurt, but my story was, for she had not
even observed the unhappy Osborne; and as for Bonetti, he cut so
ridiculous a figure that, Italian though he was, even he seemed aware of
it, and he shrank dejectedly out of sight. Again had this supernaturally
elusive heroine upset the plans of one who had essayed to embalm her
virtues in a literary mould. I could not bring her into contact with
either of my heroes.
I threw my pen down in disgust, slammed to the cover of my ink-well, and
for two hours paced madly through the maze-like walks of the Central
Park, angry and depressed; and from that moment until I undertook the
narration of this pathetic story I gave Harley’s heroine up as
unavailable material for my purposes. She was worse, if anything, in
imaginative work than in realism, because she absolutely defied the
imagination, while the realist she would be glad to help so long as his
realism was kept in strict accord with her ideas of what the real really
was.
It was some days before I saw Harley again, and I thought he looked tired
and anxious—so anxious, indeed, that I was afraid he might possibly be in
financial straits, for I knew that for three weeks he had not turned out
any of his usual pot-boilers, having been too busy trying to write the
story for Messrs. Herring, Beemer, & Chadwick. It happened, oddly
enough, that I had two or three uncashed checks in my pocket; so, feeling
like a millionaire, I broached the subject to him.
“What’s the matter, old fellow?” I said. “You seem in a blue funk. Has
the mint stopped? If it has, command me. I’m overburdened with checks
this week.”
“Not at all; thanks just the same,” he said, wearily. “My Tiffin
royalties came in Wednesday, and I’m all right for a while, anyhow.”
“What’s up, then, Stuart?” I asked. “You look worried. I’ve just
offered to share my prosperity with you, you might share your grief with
me. Lend me a peck of trouble overnight, will you?”
Public-domain text, read in full here on John Shaqi.
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