A Renaissance Courtesy-book: Galateo of Manners & BehavioursDella Casa, Giovanni
Philosophy
A Renaissance Courtesy-book: Galateo of Manners & Behaviours
Della Casa, Giovanni
Courtesy -- Early works to 1800; Etiquette -- Early works to 1800
Transcriber's Notes: In this text, a caret character indicates that the
following letter is superscripted in the original. Other notes follow
the text.
THE HUMANIST'S LIBRARY
Edited by Lewis Einstein
VIII
GALATEO
OF MANNERS AND
BEHAVIOURS
A
RENAISSANCE
COURTESY-BOOK
GALATEO
OF MANNERS & BEHAVIOURS
BY
GIOVANNI DELLA CASA
With an Introduction by
J. E. SPINGARN
GRANT RICHARDS LTD.
LONDON
Copyright, 1914, by D. B. Updike
A TABLE OF CONTENTS
Introduction ix
The Dedication 3
Commendatory Verses 6
The Treatise of Master Jhon Della Casa 13
Bibliographical Note 121
INTRODUCTION
One day, in Rome, about the middle of the sixteenth century, the Bishop
of Sessa suggested to the Archbishop of Benevento that he write a
treatise on good manners. Many books had touched the subject on one
or more of its sides, but no single book had attempted to formulate
the whole code of refined conduct for their time and indeed for all
time. And who could deal with the subject more exquisitely than the
Archbishop of Benevento? As a scion of two distinguished Florentine
families (his mother was a Tornabuoni), as an eminent prelate and
diplomatist, an accomplished poet and orator, a master of Tuscan prose,
a frequenter of all the fashionable circles of his day, the author
of licentious capitoli, and more especially as one whose morals were
distinctly not above reproach, he seemed eminently fitted for the
office of arbiter elegantiarum.
So it was that some years later, in disfavour with the new Pope, and
in the retirement of his town house in Venice and his villa in the
Marca Trivigiana, with a gallant company of gentlemen and ladies to
share his enforced but charming leisure, the Archbishop composed the
little book that had been suggested by the Bishop of Sessa, and that,
as a compliment to its "only begetter," bears as a title his poetic or
academic name.
Public-domain text, read in full here on John Shaqi.
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