A Renaissance Courtesy-book: Galateo of Manners & BehavioursDella Casa, Giovanni
Philosophy
A Renaissance Courtesy-book: Galateo of Manners & Behaviours
Della Casa, Giovanni
Courtesy -- Early works to 1800; Etiquette -- Early works to 1800
when you beholde my grose and rude maners: you shall better Judge, what
goodnes and vertue there is in courtious behaviours and fashions.
To come againe then to this treatise, which growes now to some end: wee
say that Those be good maners and fashions, which bring a delight, or
at least, offend not their senses, their minds, and conceits, with whom
we live. And of these, wee have hitherto spoken inoughe.
But you must understand with all this, that, Men be very desirous of
bewtifull things, well proportioned and comely. And of counterfet
things fowle and ill shapen, they be as squemish againe, on the
other side. And this is a speciall privilege geven to us: that other
creatures have no capacitie, to skill what bewtie or measure meaneth.
And, therefore, as things not common w^t beastes but proper to our
selves: we must embrace them for them selves: and holde them dere: &
yet those, much more, y^t drawe nerest to y^e knowledge of man: as
which are most apt and inclined to understand the perfection which
Nature hath lefte in men.
And albeit, it be a hard matter, to shewe precisely, Bewtie, what
maner of thing it is: yet y^t you may have some marke, to know her by:
you must understand, y^t Where jointly & severally, every parte & the
whole hath his due proportion and measure, there is Bewtie. And that
thing may justly be called faier, in which the saide proportion and
measure is found. And by that I did once learne of a wise & a learned
man: Bewtie he said, would consist but of one, at the moste. And
Deformitie contrarywise, measured her selfe, by Many. As you may see by
the faces of faier and goodly women. For, the even lineaments and due
proportions of every of them: seeme to have byn created & framed by the
judgement and sight of one face alone. Which cannot be thought in them
that be foule & deformed. For, when you beholde a woman, that hath,
peradventure, bigge and bowle eyes, a little nose, blubbe cheekes, a
flat mouth, an out chinne, & a browne skinne: you thinke straite that
that face is not one womans alone: but is moulded of many faces, and
made of many peeces. And yet, you shall finde amongest them, some such,
whose partes considered alone by them selves, be very perfect to see
to: but all set together, be foule and ill favoured: not for any other
cause, but that they be y^e lineaments of many faier women, and not of
one: So that a man would weene, shee had borrowed her partes, of this
and that woman. And it may be, that Painter that had all the faier
maides of Calabria, naked before him: had none other intent therein,
then to judge & discerne in many, y^e partes y^t they have, as it were,
borrowed heere one, & there another, of one, alone: to whome restoring
from eache y^t was her right: imagining y^t Venus bewty should be such,
and so proportioned: he set him selfe to paint her.
Public-domain text, read in full here on John Shaqi.
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