Family -- Juvenile fiction; Inheritance and succession -- Juvenile fiction
"Oh, you mean Mrs Gray," she exclaimed. "Yes, poor thing, she's as bad
as bad can be. I suppose you had better come up and see her, if you
have any message from her husband. It's a perfect worry to hear her
calling out for him all the time, and maybe you can quiet her down a
bit."
The landlady mounted the narrow stairs slowly. They were dirty, as
stairs in all such houses are; there were many gaps in the banisters,
and many sad rents and signs of wear on the greasy carpets. I could
have moralised, as I walked up the stairs behind the broad-backed
landlady. I could have stored up materials for an excellent little
essay on the shady side of lodging-house life. But my heart was too
full just then to think of anything but the girl whom I was about to
visit, the girl whom my brother had married without even giving her his
rightful name.
Poor people are often the proudest, and we Lindleys had what is commonly
called "honest pride." That simply means that we _were_ honest; we had
no double dealings; we paid our way not only with coin of the realm, but
with promises which were kept, with endeavours which terminated in
results. It could not enter into our heads to cheat our brothers; we
could do without luxuries, but we could not part with even a
hair's-breadth of honour.
The first scapegrace in a family like ours causes, therefore, those
anguished blushes, those shrinkings of the soul which are about the
worst forms of pain. I felt as if I were being roasted at a slow fire
of public condemnation as I followed Mrs Ashton up-stairs. I was
almost sorry at that moment that my conscience was so tender.
The landlady did not stop until she reached the attic floor; then she
turned and pointed to the door of a room which was slightly open.
"Mrs Gray's in there," she said; "you can go in."
She did not offer to come with me. On the contrary she turned her broad
back and descended the stairs with many bumps and bangs. I walked
softly into the small low attic which had been thrown open for my
entrance.
My steps were light, and the room was almost entirely in shadow, for the
fire had gone out, and one solitary candle was already dying in its
socket.
Light as my footfall was, however, it was heard, for a high-pitched,
querulous, weak voice said instantly:--
"Is that you, Jack? Is that really you at last?"
"No," I replied to the voice, "I am not Jack, but I am the next best
thing, I am Jack's sister. I have brought you a great many messages
from him. Now lie quite still, until I light a candle, and then I will
tell you everything."
The figure in the bed gave utterance to a queer kind of astonished
groan, but no further sound of any kind came from the lips. I fumbled
in my basket until I found the pound of candles; I lit one at the
expiring embers in the socket, found two showy candlesticks on the
mantelpiece, filled both, and lighted them, and then, going over to the
bed, bent down to take a good look at my sister.
Public-domain text, read in full here on John Shaqi.
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