Family -- Juvenile fiction; Inheritance and succession -- Juvenile fiction
"You are a brave girl, Rosamund Lindley," he said. "You are like your
mother, but you have more spirit than she ever had. You are very
young--very, _very_ young, or you would not offer an old man like me--an
old miser, a person whose own heart is withered--such a gift as love.
What can a withered heart want with love? You are very young, Rosamund,
so I forgive your rash words. I will talk to you, however. Sit near
me. You may open that fresh heart to me if you feel inclined."
Cousin Geoffrey and I talked together for over an hour. At the end of
that time he told me he was hungry, and that if I had no objection he
would go out and bring in some lunch for us both.
He was now quite confidential and friendly. I made him laugh several
times, and although he had apparently turned a deaf ear to my request, I
fancied that I was getting on very well with him.
He made me chain the hall-door after him when he went out, and he
promised that he would not be longer away than he could help. He
brought in two mutton-chops for our lunch, which he fried himself in the
most perfect manner, over a gas-jet in his sitting-room. We had bread
with our chops, and some very rare wine, which was poured into tall
Venetian glasses of great beauty.
"I don't open this wine for my distant relatives," he said, with a
chuckle. "But you, Rosamund--your courage deserves the best I can do
for you."
After lunch he took me all over his large house. It was full of the
most valuable and costly furniture, but all worm-eaten and going to
decay from dirt and neglect.
He had some paintings of immense value in his drawing-rooms, and in his
library were several rare editions of costly books.
"I refused three thousand pounds for that Paul Veronese," he said,
pointing to a picture which I was too ignorant to appreciate.
"Then you, too, love art," I said. "Of course you will help me."
"I love the great in art," he answered. "But I despise the little. And
of all things, what I most despise is the wild talk of the aspirant.
Rosamund, you are a good girl, a plucky honest girl, but you will never
be an artist. Tut, tut! There have not been more than a dozen real
artists in the world, and is it likely that you will be the thirteenth?
Go and darn your stockings quietly at home, Rosamund, and forget this
silly little dream."
I stamped my foot.
"If there have hitherto been only twelve artists I will make the
thirteenth," I said. "There! I am not afraid. _I_ go and darn
stockings! No, I won't, not while you are alive, Cousin Geoffrey."
I was angry, and I knew my eyes flashed angrily. I had often been told
that my eyes could flash in a very brilliant and even alarming manner,
and I was well aware that they had now bestowed a lightning glance of
scorn on Cousin Geoffrey.
He was not displeased.
"Oh, what utter nonsense you talk!" he said. "But you are a brave girl,
very brave. Why, you are not a bit afraid of me!"
"Afraid?" I said. "What do you mean?"
Public-domain text, read in full here on John Shaqi.
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