A Roadside Harp: A Book of VersesGuiney, Louise Imogen
General
A Roadside Harp: A Book of Verses
Guiney, Louise Imogen
American poetry -- 19th century
When on the Marge of Evening 32
Rooks in New College Gardens 32
Open, Time 33
The Knight Errant (Donatello’s Saint George) 34
To a Dog’s Memory 35
A Seventeenth-Century Song 36
On the Pre-Reformation Churches about Oxford 37
The Still of the Year 38
A Foot-note to a Famous Lyric 39
T. W. P. 1819-1892 41
Summum Bonum 41
Saint Florent-le-Vieil 42
Hylas 42
Nocturne 43
The Kings 44
Alexandriana 47
London: Twelve Sonnets.
On First Entering Westminster Abbey 55
Fog 55
St. Peter-ad-Vincula 56
Strikers in Hyde Park 56
Changes in the Temple 57
The Lights of London 58
Doves 58
In the Reading-Room of the British Museum 59
Sunday Chimes in the City 59
A Porch in Belgravia 60
York Stairs 61
In the Docks 61
A ROADSIDE HARP.
POEMS BY LOUISE IMOGEN GUINEY
_Peter Rugg the Bostonian_
I
THE mare is pawing by the oak,
The chaise is cool and wide
For Peter Rugg the Bostonian
With his little son beside;
The women loiter at the wheels
In the pleasant summer-tide.
“And when wilt thou be home, Father?”
“And when, good husband, say:
The cloud hangs heavy on the house
What time thou art away.”
He answers straight, he answers short,
“At noon of the seventh day.”
“Fail not to come, if God so will,
And the weather be kind and clear.”
“Farewell, farewell! But who am I
A blockhead rain to fear?
God willing or God unwilling,
I have said it, I will be here.”
He gathers up the sunburnt boy
And from the gate is sped;
He shakes the spark from the stones below,
The bloom from overhead,
Till the last roofs of his own town
Pass in the morning-red.
Upon a homely mission
North unto York he goes,
Through the long highway broidered thick
With elder-blow and rose;
And sleeps in sound of breakers
At every twilight’s close.
Intense upon his heedless head
Frowns Agamenticus,
Knowing of Heaven’s challenger
The answer: even thus
The Patience that is hid on high
Doth stoop to master us.
II
Public-domain text, read in full here on John Shaqi.
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