England -- Social life and customs -- 19th century -- Fiction; Rogues and vagabonds -- Fiction
An unexpected disappointment awaited me. My “Scenes of Modern Prison
Life” had not sold so well as had been anticipated, and my publisher was
gruffly disinclined to speculate in any future works done in the same
style. During the time of my imprisonment, a new caricaturist had
started, with a manner of his own; he had already formed a new school,
and the fickle public were all running together after him and his
disciples. I said to myself: “This scene in the drama of your life, my
friend, has closed in; you must enter on another, or drop the curtain at
once.” Of course I entered on another.
Taking leave of my publisher, I went to consult an artist-friend on my
future prospects. I supposed myself to be merely on my way to a change
of profession. As destiny ordered it, I was also on my way to the woman
who was not only to be the object of my first love, but the innocent
cause of the great disaster of my life.
I first saw her in one of the narrow streets leading from Leicester
Square to the Strand. There was something in her face (dimly visible
behind a thick veil) that instantly stopped me as I passed her. I looked
back and hesitated. Her figure was the perfection of modest grace. I
yielded to the impulse of the moment. In plain words, I did what you
would have done, in my place--I followed her.
She looked round--discovered me--and instantly quickened her pace.
Reaching the westward end of the Strand, she crossed the street and
suddenly entered a shop.
I looked through the window, and saw her speak to a respectable elderly
person behind the counter, who darted an indignant look at me, and at
once led my charming stranger into a back office. For the moment, I
was fool enough to feel puzzled; it was out of my character you will
say--but remember, all men are fools when they first fall in love. After
a little while I recovered the use of my senses. The shop was at the
corner of a side street, leading to the market, since removed to make
room for the railway. “There’s a back entrance to the house!” I thought
to myself--and ran down the side street. Too late! the lovely fugitive
had escaped me. Had I lost her forever in the great world of London? I
thought so at the time. Events will show that I never was more mistaken
in my life.
I was in no humor to call on my friend. It was not until another day had
passed that I sufficiently recovered my composure to see poverty staring
me in the face, and to understand that I had really no alternative but
to ask the good-natured artist to lend me a helping hand.
Public-domain text, read in full here on John Shaqi.
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