England -- Social life and customs -- 20th century -- Fiction; Household employees -- Fiction; Young men -- Fiction
Once more he took off his cap. She bowed from her waist as if it was
hinged, and again indicated his direction.
“The Manor?” echoed a yokel, in answer to Wynyard’s question; “why,”
with a grin, “yer just come out o’ it, mister!”
He accordingly retraced his steps down the short drive and rang at
the hall door, which was at the side of the dignified old house, and
over the lintel of which was the date, 1569, in deeply cut figures. A
smart parlour-maid answered the clanging bell, and stared in round-eyed
surprise.
“Can I see Miss Parrett?” he asked; “my name is Owen. I’m the new
chauffeur.”
“The chauffeur!” she repeated, with incredulous emphasis. “Oh!--If
you will just step inside, I’ll let her know;” and, tripping before
him down a long, resounding, flagged passage--which seemingly ran the
length of the house--she ushered him into a low-pitched room, with
heavy oak beams, and mullioned windows facing south, overlooking the
meadows he had recently crossed--a vast, spreading stretch of flat
country outlined by a horizon of woods--possibly those of some great
demesne.
“I’ll tell Miss Parrett,” said the maid, as, with a lingering look at
the new arrival, she closed the door.
The chauffeur awaited an interview for some time, as it took Miss
Parrett at least ten minutes to recover her amazement, and invest
herself with becoming dignity. That man the chauffeur! Why, she had
actually mistaken him for a gentleman; but, of course, in these
socialistic days, the lower orders dressed and talked like their
betters; and she registered a mental vow to keep the creature firmly
in his place. The fact that she had supposed her new chauffeur to
be a visitor who rented the fishing, was an error she never forgave
herself--and the origin of her secret animosity to Wynyard.
The room into which he had been ushered was heavily wainscoted in
oak; the chimneypiece, a most beautiful specimen of carving--but some
ignorant hand had painted the whole with a sickly shade of pea-green!
Various tables and chairs, which had seen better days, were scattered
about; it was not a show apartment, but evidently the retreat where
people did all sorts of odd jobs. A coil of picture wire, curtain
rings, and a pile of chintz patterns, were heaped on the round centre
table, and a stack of wall-papers littered the floor. A snug, sunny,
cheerful sort of den, which would make an A1 smoking-room. Precisely
as the chauffeur arrived at this opinion, the door was flung open, and
Miss Parrett ambled in.
“So _you_ are my new chauffeur!” she began, in a shrill voice, as she
surveyed him with an air of acrid self-assertion.
“Yes, ma’am,” and Owen, as he looked at her, was conscious of a nascent
antagonism.
“Your name, I understand, is Owen. What’s your christian name?”
He coloured violently. What _was_ his christian name?
“St. John,” he answered, after a momentary hesitation. (It was his
second name.) “That is--I mean to say--John.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account