In compliance with this wish, Mr. Royal took him through the principal streets, pointing out the public buildings, and now and then stopping to smile at some placard or sign which presented an odd jumble of French and English. When they came to the suburbs of the city, the aspect of things became charmingly rural. Houses were scattered here and there among trees and gardens. Mr. Royal pointed out one of them, nestled in flowers and half encircled by an orange-grove, and said, "That is my home. When I first came here, the place where it stands was a field of sugar-canes; but the city is fast stretching itself into the suburbs." They approached the dwelling; and in answer to the bell, the door was opened by a comely young negress, with a turban of bright colors on her head and golden hoops in her ears. Before the gentlemen had disposed of their hats and canes, a light little figure bounded from one of the rooms, clapping her hands, and exclaiming, "Ah, Papasito!" Then, seeing a stranger with him, she suddenly stood still, with a pretty look of blushing surprise. "Never mind, Mignonne," said her father, fondly patting her head. "This is Alfred Royal King, from Boston; my namesake, and the son of a dear old friend of mine. I have invited him to see you dance. Mr. King, this is my Floracita." The fairy dotted a courtesy, quickly and gracefully as a butterfly touching a flower, and then darted back into the room she had left. There they were met by a taller young lady, who was introduced as "My daughter Rosabella." Her beauty was superlative and peculiar. Her complexion was like a glowing reflection upon ivory from gold in the sunshine. Her large brown eyes were deeply fringed, and lambent with interior light. Lustrous dark brown hair shaded her forehead in little waves, slight as the rippling of water touched by an insect's wing. It was arranged at the back of her head in circling braids, over which fell clusters of ringlets, with moss-rose-buds nestling among them. Her full, red lips were beautifully shaped, and wore a mingled expression of dignity and sweetness. The line from ear to chin was that perfect oval which artists love, and the carriage of her head was like one born to a kingdom. Floracita, though strikingly handsome, was of a model less superb than her elder sister. She was a charming little brunette, with laughter always lurking in ambush within her sparkling black eyes, a mouth like "Cupid's bow carved in coral," and dimples in her cheeks, that well deserved their French name, _berceaux d'amour_.