At a slight sound which she hears in the adjoining room, Angela lifts
her head suddenly, like a gazelle on the alert, and seats herself on the
edge of the sofa, throwing back her locks by a graceful movement.
At the moment she rises, exclaiming, "It it he!" a man raises the
_portiere_ of the room. Not sooner does the iron fly to the magnet than
does Angela to the newcomer. She throws herself into his arms, and
twining them about him in a kind of tender fury, covered him with
caresses and passionate kisses, and joyfully cries, "My tender
friend--my dear James!"
This first ebullition over, the newcomer takes Angela into his arms as
if she were a child, and carries his precious burden over to the sofa.
Then Angela, seated on his knee, takes one of his hands in hers, passes
her beautiful arm about his neck, draws his head to her, and looked at
him with eager delight.
Alas! were the scandal-mongers right in suspecting Blue Beard's
morality?
The man whom she receives with such familiar ardor is of the copper
color of a mulatto; he is tall and supple, active and robust; his noble
and fine features show nothing of the negro type; a profusion of jet
black curls frame his forehead; his eyes are large and of velvety
blackness; under his thin lips, red and moist, shine the most
beautifully enameled teeth. This beauty, at once charming and manly,
this appearance of strength and elegance, resembles the noble
proportions of an Indian Bacchus or of an Antinous.
The mulatto's costume is such as certain filibusters then generally
adopt when on shore. He wears a waistcoat of rich maroon velvet, with
buttons of filigree gold; large Flemish boots of like material and
ornamented with the same style of button, which extend the length of the
thigh, being met by a belt of orange silk, in which is stuck a poignard
richly chased; and, finally, long leggings of white kid embroidered in
many colored silks after the Mexican style, show a leg of the finest
outline.
Nothing could be more striking or pretty than the contrast between James
and Angela thus grouped. On the one hand, blond tresses, alabaster
tints, rosy cheeks, infantile grace and elegance; on the other, the
bronze tint, ebony locks, and manner at once assured and manly.
Angela's white dress is outlined on the somber colors of James'
vestments; and thus the fine and supple figure of Blue Beard is
accentuated.
Fixing her great blue eyes on the black eyes of the mulatto, the young
woman amuses herself by turning back the embroidered collar of James'
shirt, in order to admire the better his sunburned neck, which in color
and shape rivals the most beautiful Florentine bronze.
After prolonging this unconventional performance, Angela gives the
mulatto a noisy kiss under his ear, takes his head between her two
hands, mischievously rumples up his black locks, gives him a little blow
on the cheek, and says, "That is how I love you, Monsieur Hurricane."
Public-domain text, read in full here on John Shaqi.
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