A Romance of Tompkins Square: 1891Janvier, Thomas A. (Thomas Allibone)
General
A Romance of Tompkins Square: 1891
Janvier, Thomas A. (Thomas Allibone)
United States -- Social life and customs -- 19th century -- Fiction
The Church of the Redemptorist Fathers is a very beautiful church, and
at all times--save through the watches of the night and through one
mid-day hour--its doors stand hospitably open, silently inviting poor
sinners, weary and heavy laden with their sins, to enter into the calm
of its quiet holiness and there find rest. Tall, slender pillars uphold
its vaulted roof, in the groinings of which lurk mysterious shadows.
Below, a warm, rich light comes through the stained-glass windows:
whereon are pictured the blessed St. Alphonsus Maria de Liguori, founder
of the Redemptorist Congregation, blessedly instructing the chubby-faced
choristers; and the Venerable Clement Hofbauer, "primus in Germania" of
the Redemptorists, all in his black gown, kneeling, praying no doubt for
the outcast German souls for the saving of which he worked so hard and
so well; and (a picture that Minna dearly loved) St. Joseph and the
sweet Virgin and the little Christ-child fleeing together through the
desert from the wrath of the Judean king. And ranged around the walls on
perches high aloft are statues of various minor saints and of the Twelve
Apostles; of which Minna's favorite was the Apostle Matthias, because
this saint, with his high forehead tending towards baldness, and his
long gray beard and gray hair, and his kindly face, and even the axe in
his hand (that was not unlike a baker's peel), made her think always
of her dear father. The pew that Gottlieb paid for so regularly, and so
irregularly occupied, was just beneath the statue of this saint; which,
however, gave Minna less pleasure than would have been hers had not the
next saint in the row been the Apostle Simon with his dreadful saw. It
must have hurt so horribly to be sawed in two, she thought. In the dusky
depths of the great chancel gleamed the white marble of the beautiful
altar, guarded by St. Peter with his keys and St. Paul with his naked
two-edged sword; and above the altar was the dead Christ on Calvary,
with His desolate mother and the despairing Magdalene and St. John the
divine.
Into this beautiful church it was that Gottlieb, led thither by his
good angel, entered; and the devil--raging in the terrible but impotent
fashion that is habitual with devils when they see slipping away from
their snares the souls which they thought to win to wickedness--of
course was forced to remain outside. But what feelings of keen
repentance filled this poor sinning baker's heart within that holy
place, what good resolves came to him, what light and refreshment
irradiated and cheered his darkened, harried soul--all these are things
which better may be suggested here than written out in full. For these
things are so real, so sacred, and so beautiful with a heavenly beauty,
that they may not lightly be used for decorative purposes in mere
romance.
Public-domain text, read in full here on John Shaqi.
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