French fiction -- Translations into English; Paris (France) -- Fiction
The quarter had not changed, and it still had the appearance of a
suburban faubourg. They had just erected, within gunshot of the house
where the Violettes and Gerards lived, a large five-story building, upon
whose roof still trembled in the wind the masons’ withered bouquets.
But that was all. In front of them, on the lot “For Sale,” enclosed by
rotten boards, where one could always see tufts of nettles and a goat
tied to a stake, and upon the high wall above which by the end of April
the lilacs hung in their perfumed clusters, the rains had not effaced
this brutal declaration of love, scraped with a knife in the plaster:
“When Melie wishes she can have me,” and signed “Eugene.”
Three years had passed, and little Amedee had grown a trifle. At that
time a child born in the centre of Paris--for example, in the labyrinth
of infected streets about the Halles--would have grown up without
having any idea of the change of seasons other than by the state of the
temperature and the narrow strip of sky which he could see by raising
his head. Even today certain poor children--the poor never budge from
their hiding-places--learn of the arrival of winter only by the odor
of roasted chestnuts; of spring, by the boxes of gilly-flowers in the
fruiterer’s stall; of summer, by the water-carts passing, and of autumn,
by the heaps of oyster-shells at the doors of wine-shops. The broad sky,
with its confused shapes of cloud architecture, the burning gold of
the setting sun behind the masses of trees, the enchanting stillness of
moonlight upon the river, all these grand and magnificent spectacles are
for the delight of those who live in suburban quarters, or play there
sometimes. The sons of people who work in buttons and jet spend their
infancy playing on staircases that smell of lead, or in courts that
resemble wells, and do not suspect that nature exists. At the outside
they suspect that nature may exist when they see the horses on Palm
Sunday decorated with bits of boxwood behind each ear. What matters it,
after all, if the child has imagination? A star reflected in a gutter
will reveal to him an immense nocturnal poem; and he will breathe all
the intoxication of summer in the full-blown rose which the grisette
from the next house lets fall from her hair.
Amedee had had the good fortune of being born in that delicious and
melancholy suburb of Paris which had not yet become “Haussmannized,” and
was full of wild and charming nooks.
Public-domain text, read in full here on John Shaqi.
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