French fiction -- Translations into English; Paris (France) -- Fiction
Everywhere and always the same, the egotistical and amiable Maurice
takes the lion’s share, and Amedee, listening only with one ear to the
large Margot, who is already begging him to make an acrostic for her,
thinks Rosine is charming, while Maurice says a thousand foolish
things to her. In spite of himself, the poet looks upon Maurice as
his superior, and thinks it perfectly natural that he should claim the
prettier of the two women. No matter! Amedee wanted to enjoy himself
too. This Margot, who had just taken off her gloves to drink her wine,
had large, red hands, and seemed as silly as a goose, but all the same
she was a beautiful creature, and the poet began to talk to her, while
she laughed and looked at him with a wanton’s eyes. Meanwhile the
orchestra burst into a polka, and Maurice, in raising his voice to speak
to his friend, called him several times Amedee, and once only by his
family name, Violette. Suddenly little Rosine started up and looked at
the poet, saying with astonishment:
“What! Is your name Amedee Violette?”
“Certainly.”
“Then you are the boy with whom I played so much when I was a child.”
“With me?”
“Yes! Do you not remember Rosine, little Rosine Combarieu, at Madame
Gerard’s, the engraver’s wife, in the Rue Notre-Dame-des-Champs? We
played games with his little girls. How odd it is, the way one meets old
friends!”
What is it that Amedee feels? His entire childhood rises before him.
The bitterness of the thought that he had known this poor girl in her
innocence and youth, and the Gerards’ name spoken in such a place,
filled the young man’s heart with a singular sadness. He could only say
to Rosine, in a voice that trembled a little with pity:
“You! Is it you?”
Then she became red and very embarrassed, lowering her eyes.
Maurice had tact; he noticed that Rosine and Amedee were agitated, and,
feeling that he was de trop, he arose suddenly and said:
“Now then, Margot. Come on! these children want to talk over their
childhood, I think. Give up your acrostic, my child. Take my arm, and
come and have a turn.”
When they were alone Amedee gazed at Rosine sadly. She was pretty, in
spite of her colorless complexion, a child of the faubourg, born with
a genius for dress, who could clothe herself on nothing-a linen gown, a
flower in her hat. One who lived on salads and vegetables, so as to buy
well-made shoes and eighteen-button gloves.
The pretty blonde looked at Amedee, and a timid smile shone in her
nut-brown eyes.
Public-domain text, read in full here on John Shaqi.
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