French fiction -- Translations into English; Paris (France) -- Fiction
Seats were wanting at the beginning, but Sillery drew from a closet an
old black trunk which would hold two, and contented himself, as master of
the house, with sitting from time to time, with legs dangling, upon the
marble mantel. The company thus found themselves very comfortable; still
more so when an old woman with a dirty cap had placed upon the table, in
the middle of the room, six bottles of beer, some odd glasses, and a
large flowered plate upon which was a package of cut tobacco with
cigarette paper. They began to recite their verses in a cloud of smoke.
Each recited his own, called upon by Sillery; each would rise without
being urged, place his chair in front of him, and leaning one hand upon
its back, would recite his poem or elegy. Certainly some of them were
wanting in genius, some were even ludicrous. Among the number was a
little fellow with a cadaverous face, about as large as two farthings'
worth of butter, who declared, in a long speech with flat rhymes, that an
Asiatic harem was not capable of quenching his ardent love of pleasure.
A fat-faced fellow with a good, healthy, country complexion, announced,
in a long story, his formal intention of dying of a decline, on account
of the treason of a courtesan with a face as cold as marble; while, if
the facts were known, this peaceable boy lived with an artless child of
the people, brightening her lot by reducing her to a state of slavery;
she blacked his boots for him every morning before he left the house.
In spite of these ridiculous things, there were present some genuine
poets who knew their business and had real talent. These filled Amedee
with respect and fear, and when Sillery called his name, he arose with a
dry mouth and heavy heart.
"It is your turn now, you newcomer! Recite us your 'Before Sebastopol.'"
And so, thoroughbred that he was, Amedee overcame his emotion and
recited, in a thrilling voice, his military rhymes, that rang out like
the report of a veteran's gun.
The last stanza, was greeted with loud applause, and all the auditors
arose and surrounded Amedee to offer him their congratulations.
"Why, it is superb!"
"Entirely new!"
"It will make an enormous success!"
"It is just what is needed to arouse the public!"
"Recite us something else!--something else!"
Reassured and encouraged, master of himself, he recited a popular scene
in which he had freely poured out his love for the poor people. He next
recited some of his Parisian suburban scenes, and then a series of
sonnets, entitled "Love's Hopes," inspired by his dear Maria; and he
astonished all these poets by the versatility and variety of his
inspirations.
Public-domain text, read in full here on John Shaqi.
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