French fiction -- Translations into English; Paris (France) -- Fiction
They were blinded by the gas there; the thickets looked so much like old
scenery that one almost expected to see the yellow breastplates of comic-
opera dragoons; and the jet of water recalled one of those little spurts
of a shooting-gallery upon which an empty egg-shell dances. But they
could breathe there a little.
"Boy! two sodas," said Maurice, striking the table with his cane; and the
two friends sat down near the edge of a walk where the crowd passed and
repassed. They had been there about ten minutes when two women stopped
before them.
"Good-day, Maurice," said the taller, a brunette with rich coloring, the
genuine type of a tavern girl.
"What, Margot!" exclaimed the young man. "Will you take something? Sit
down a moment, and your friend too. Do you know, your friend is
charming? What is her name?"
"Rosine," replied the stranger, modestly, for she was only about
eighteen, and, in spite of the blond frizzles over her eyes, she was not
yet bold, poor child! She was making her debut, it was easy to see.
"Well, Mademoiselle Rosine, come here, that I may see you," continued
Maurice, seating the young girl beside him with a caressing gesture.
"You, Margot, I authorize to be unfaithful to me once more in favor of my
friend Amedee. He is suffering with lovesickness, and has a heart to
let. Although he is a poet, I think he happens to have in his pocket
enough to pay for a supper."
Everywhere and always the same, the egotistical and amiable Maurice takes
the lion's share, and Amedee, listening only with one ear to the large
Margot, who is already begging him to make an acrostic for her, thinks
Rosine is charming, while Maurice says a thousand foolish things to her.
In spite of himself, the poet looks upon Maurice as his superior, and
thinks it perfectly natural that he should claim the prettier of the two
women. No matter! Amedee wanted to enjoy himself too. This Margot, who
had just taken off her gloves to drink her wine, had large, red hands,
and seemed as silly as a goose, but all the same she was a beautiful
creature, and the poet began to talk to her, while she laughed and looked
at him with a wanton's eyes. Meanwhile the orchestra burst into a polka,
and Maurice, in raising his voice to speak to his friend, called him
several times Amedee, and once only by his family name, Violette.
Suddenly little Rosine started up and looked at the poet, saying with
astonishment:
"What! Is your name Amedee Violette?"
"Certainly."
"Then you are the boy with whom I played so much when I was a child."
"With me?"
"Yes! Do you not remember Rosine, little Rosine Combarieu, at Madame
Gerard's, the engraver's wife, in the Rue Notre-Dame-des-Champs? We
played games with his little girls. How odd it is, the way one meets old
friends!"
Public-domain text, read in full here on John Shaqi.
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