French fiction -- Translations into English; Paris (France) -- Fiction
This October afternoon is deliciously serene, there is not a cloud in the
grayish-blue sky, where the sun, which has shed a pure and steady light
since morning, has begun majestically to decline, like a good king who
has grown old after a long and prosperous reign. How soft the air is!
How calm and fresh! This is certainly one of the most beautiful of
autumn days. Below, in the valley, the river sparkles like liquid
silver, and the trees which crown the hill-tops are of a lurid gold and
copper color. The distant panorama of Paris is grand and charming, with
all its noted edifices and the dome of the Invalides shining like gold
outlined upon the horizon. As a loving and coquettish woman, who wishes
to be regretted, gives at the moment of departure her most intoxicating
smile to a friend, so the close of autumn had put on for one of her last
days all her splendid charms.
But the leaves are falling!
Amedee Violette is walking alone in his garden at Meudon. It is his
country home, where he has lived for eight years. A short time after the
close of the war he married Maurice's widow. He is walking upon the
terrace planted with lindens that are now more than half-despoiled of
their leaves, admiring the beautiful picture and thinking.
He is celebrated, he has worked hard and has built up a reputation by
good, sincere books, as a poet. Doubtless, some persons are still
jealous of him, and he is often treated with injustice, but he is
estimated by the dignity of his life, which his love of art fills
entirely, and he occupies a superior position in literature. Although
his resources are modest, they are sufficient to exempt him from
anxieties of a trivial nature. Living far from society, in the close
intimacy of those that he loves, he does not know the miseries of
ambition and vanity. Amedee Violette should be happy.
His old friend, Paul Sillery, who breakfasted with him that morning in
Meudon, is condemned to daily labor and the exhausting life of a
journalist; and when he was seated in the carriage which took him back
to Paris that morning, to forced labor, to the article to be knocked off
for tomorrow, in the midst of the racket and chattering of an editor's
office, beside an interrupted cigar laid upon the edge of a table, he
heaved a deep sigh as he thought of Amedee.
Public-domain text, read in full here on John Shaqi.
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