British -- Italy -- Fiction; England -- Fiction; Florence (Italy) -- Fiction; Humorous stories; Young women -- Fiction
Miss Bartlett burst into florid gratitude. The tavern sign—a beehive
trimmed evenly with bees—creaked in the wind outside as she thanked
him. Mr. Beebe did not quite understand the situation; but then, he did
not desire to understand it, nor to jump to the conclusion of “another
man” that would have attracted a grosser mind. He only felt that Miss
Bartlett knew of some vague influence from which the girl desired to be
delivered, and which might well be clothed in the fleshly form. Its
very vagueness spurred him into knight-errantry. His belief in
celibacy, so reticent, so carefully concealed beneath his tolerance and
culture, now came to the surface and expanded like some delicate
flower. “They that marry do well, but they that refrain do better.” So
ran his belief, and he never heard that an engagement was broken off
but with a slight feeling of pleasure. In the case of Lucy, the feeling
was intensified through dislike of Cecil; and he was willing to go
further—to place her out of danger until she could confirm her
resolution of virginity. The feeling was very subtle and quite
undogmatic, and he never imparted it to any other of the characters in
this entanglement. Yet it existed, and it alone explains his action
subsequently, and his influence on the action of others. The compact
that he made with Miss Bartlett in the tavern, was to help not only
Lucy, but religion also.
They hurried home through a world of black and grey. He conversed on
indifferent topics: the Emersons’ need of a housekeeper; servants;
Italian servants; novels about Italy; novels with a purpose; could
literature influence life? Windy Corner glimmered. In the garden, Mrs.
Honeychurch, now helped by Freddy, still wrestled with the lives of her
flowers.
“It gets too dark,” she said hopelessly. “This comes of putting off. We
might have known the weather would break up soon; and now Lucy wants to
go to Greece. I don’t know what the world’s coming to.”
“Mrs. Honeychurch,” he said, “go to Greece she must. Come up to the
house and let’s talk it over. Do you, in the first place, mind her
breaking with Vyse?”
“Mr. Beebe, I’m thankful—simply thankful.”
“So am I,” said Freddy.
“Good. Now come up to the house.”
They conferred in the dining-room for half an hour.
Lucy would never have carried the Greek scheme alone. It was expensive
and dramatic—both qualities that her mother loathed. Nor would
Charlotte have succeeded. The honours of the day rested with Mr. Beebe.
By his tact and common sense, and by his influence as a clergyman—for a
clergyman who was not a fool influenced Mrs. Honeychurch greatly—he
bent her to their purpose, “I don’t see why Greece is necessary,” she
said; “but as you do, I suppose it is all right. It must be something I
can’t understand. Lucy! Let’s tell her. Lucy!”
“She is playing the piano,” Mr. Beebe said. He opened the door, and
heard the words of a song:
“Look not thou on beauty’s charming.”
“I didn’t know that Miss Honeychurch sang, too.”
Public-domain text, read in full here on John Shaqi.
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