“Sit thou still when kings are arming, Taste not when the wine-cup glistens——” “It’s a song that Cecil gave her. How odd girls are!” “What’s that?” called Lucy, stopping short. “All right, dear,” said Mrs. Honeychurch kindly. She went into the drawing-room, and Mr. Beebe heard her kiss Lucy and say: “I am sorry I was so cross about Greece, but it came on the top of the dahlias.” Rather a hard voice said: “Thank you, mother; that doesn’t matter a bit.” “And you are right, too—Greece will be all right; you can go if the Miss Alans will have you.” “Oh, splendid! Oh, thank you!” Mr. Beebe followed. Lucy still sat at the piano with her hands over the keys. She was glad, but he had expected greater gladness. Her mother bent over her. Freddy, to whom she had been singing, reclined on the floor with his head against her, and an unlit pipe between his lips. Oddly enough, the group was beautiful. Mr. Beebe, who loved the art of the past, was reminded of a favourite theme, the _Santa Conversazione_, in which people who care for one another are painted chatting together about noble things—a theme neither sensual nor sensational, and therefore ignored by the art of to-day. Why should Lucy want either to marry or to travel when she had such friends at home? “Taste not when the wine-cup glistens, Speak not when the people listens,” she continued. “Here’s Mr. Beebe.” “Mr. Beebe knows my rude ways.” “It’s a beautiful song and a wise one,” said he. “Go on.” “It isn’t very good,” she said listlessly. “I forget why—harmony or something.” “I suspected it was unscholarly. It’s so beautiful.” “The tune’s right enough,” said Freddy, “but the words are rotten. Why throw up the sponge?” “How stupidly you talk!” said his sister. The _Santa Conversazione_ was broken up. After all, there was no reason that Lucy should talk about Greece or thank him for persuading her mother, so he said good-bye. Freddy lit his bicycle lamp for him in the porch, and with his usual felicity of phrase, said: “This has been a day and a half.” “Stop thine ear against the singer—” “Wait a minute; she is finishing.” “From the red gold keep thy finger; Vacant heart and hand and eye Easy live and quiet die.” “I love weather like this,” said Freddy. Mr. Beebe passed into it. The two main facts were clear. She had behaved splendidly, and he had helped her. He could not expect to master the details of so big a change in a girl’s life. If here and there he was dissatisfied or puzzled, he must acquiesce; she was choosing the better part. “Vacant heart and hand and eye—” Perhaps the song stated “the better part” rather too strongly. He half fancied that the soaring accompaniment—which he did not lose in the shout of the gale—really agreed with Freddy, and was gently criticizing the words that it adorned: “Vacant heart and hand and eye Easy live and quiet die.”