British -- Italy -- Fiction; England -- Fiction; Florence (Italy) -- Fiction; Humorous stories; Young women -- Fiction
“Perhaps I shall meet someone who reads me through and through!”
But they still looked disapproval, and she so far conceded to Mr. Beebe
as to say that she would only go for a little walk, and keep to the
street frequented by tourists.
“She oughtn’t really to go at all,” said Mr. Beebe, as they watched her
from the window, “and she knows it. I put it down to too much
Beethoven.”
Chapter IV
Fourth Chapter
Mr. Beebe was right. Lucy never knew her desires so clearly as after
music. She had not really appreciated the clergyman’s wit, nor the
suggestive twitterings of Miss Alan. Conversation was tedious; she
wanted something big, and she believed that it would have come to her
on the wind-swept platform of an electric tram. This she might not
attempt. It was unladylike. Why? Why were most big things unladylike?
Charlotte had once explained to her why. It was not that ladies were
inferior to men; it was that they were different. Their mission was to
inspire others to achievement rather than to achieve themselves.
Indirectly, by means of tact and a spotless name, a lady could
accomplish much. But if she rushed into the fray herself she would be
first censured, then despised, and finally ignored. Poems had been
written to illustrate this point.
There is much that is immortal in this medieval lady. The dragons have
gone, and so have the knights, but still she lingers in our midst. She
reigned in many an early Victorian castle, and was Queen of much early
Victorian song. It is sweet to protect her in the intervals of
business, sweet to pay her honour when she has cooked our dinner well.
But alas! the creature grows degenerate. In her heart also there are
springing up strange desires. She too is enamoured of heavy winds, and
vast panoramas, and green expanses of the sea. She has marked the
kingdom of this world, how full it is of wealth, and beauty, and war—a
radiant crust, built around the central fires, spinning towards the
receding heavens. Men, declaring that she inspires them to it, move
joyfully over the surface, having the most delightful meetings with
other men, happy, not because they are masculine, but because they are
alive. Before the show breaks up she would like to drop the august
title of the Eternal Woman, and go there as her transitory self.
Lucy does not stand for the medieval lady, who was rather an ideal to
which she was bidden to lift her eyes when feeling serious. Nor has she
any system of revolt. Here and there a restriction annoyed her
particularly, and she would transgress it, and perhaps be sorry that
she had done so. This afternoon she was peculiarly restive. She would
really like to do something of which her well-wishers disapproved. As
she might not go on the electric tram, she went to Alinari’s shop.
Public-domain text, read in full here on John Shaqi.
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