“Look, Lucia! Oh, you are watching for the Torre del Gallo party. I feared you would repent you of your choice.” Serious as the choice had been, Lucy did not repent. Yesterday had been a muddle—queer and odd, the kind of thing one could not write down easily on paper—but she had a feeling that Charlotte and her shopping were preferable to George Emerson and the summit of the Torre del Gallo. Since she could not unravel the tangle, she must take care not to re-enter it. She could protest sincerely against Miss Bartlett’s insinuations. But though she had avoided the chief actor, the scenery unfortunately remained. Charlotte, with the complacency of fate, led her from the river to the Piazza Signoria. She could not have believed that stones, a Loggia, a fountain, a palace tower, would have such significance. For a moment she understood the nature of ghosts. The exact site of the murder was occupied, not by a ghost, but by Miss Lavish, who had the morning newspaper in her hand. She hailed them briskly. The dreadful catastrophe of the previous day had given her an idea which she thought would work up into a book. “Oh, let me congratulate you!” said Miss Bartlett. “After your despair of yesterday! What a fortunate thing!” “Aha! Miss Honeychurch, come you here I am in luck. Now, you are to tell me absolutely everything that you saw from the beginning.” Lucy poked at the ground with her parasol. “But perhaps you would rather not?” “I’m sorry—if you could manage without it, I think I would rather not.” The elder ladies exchanged glances, not of disapproval; it is suitable that a girl should feel deeply. “It is I who am sorry,” said Miss Lavish. “We literary hacks are shameless creatures. I believe there’s no secret of the human heart into which we wouldn’t pry.” She marched cheerfully to the fountain and back, and did a few calculations in realism. Then she said that she had been in the Piazza since eight o’clock collecting material. A good deal of it was unsuitable, but of course one always had to adapt. The two men had quarrelled over a five-franc note. For the five-franc note she should substitute a young lady, which would raise the tone of the tragedy, and at the same time furnish an excellent plot. “What is the heroine’s name?” asked Miss Bartlett. “Leonora,” said Miss Lavish; her own name was Eleanor. “I do hope she’s nice.” That desideratum would not be omitted. “And what is the plot?” Love, murder, abduction, revenge, was the plot. But it all came while the fountain plashed to the satyrs in the morning sun. “I hope you will excuse me for boring on like this,” Miss Lavish concluded. “It is so tempting to talk to really sympathetic people. Of course, this is the barest outline. There will be a deal of local colouring, descriptions of Florence and the neighbourhood, and I shall also introduce some humorous characters. And let me give you all fair warning: I intend to be unmerciful to the British tourist.”