British -- Italy -- Fiction; England -- Fiction; Florence (Italy) -- Fiction; Humorous stories; Young women -- Fiction
Lucy kissed her also.
“Would you take them into the garden and tell Mrs. Honeychurch all
about it?” Cecil suggested. “And I’d stop here and tell my mother.”
“We go with Lucy?” said Freddy, as if taking orders.
“Yes, you go with Lucy.”
They passed into the sunlight. Cecil watched them cross the terrace,
and descend out of sight by the steps. They would descend—he knew their
ways—past the shrubbery, and past the tennis-lawn and the dahlia-bed,
until they reached the kitchen garden, and there, in the presence of
the potatoes and the peas, the great event would be discussed.
Smiling indulgently, he lit a cigarette, and rehearsed the events that
had led to such a happy conclusion.
He had known Lucy for several years, but only as a commonplace girl who
happened to be musical. He could still remember his depression that
afternoon at Rome, when she and her terrible cousin fell on him out of
the blue, and demanded to be taken to St. Peter’s. That day she had
seemed a typical tourist—shrill, crude, and gaunt with travel. But
Italy worked some marvel in her. It gave her light, and—which he held
more precious—it gave her shadow. Soon he detected in her a wonderful
reticence. She was like a woman of Leonardo da Vinci’s, whom we love
not so much for herself as for the things that she will not tell us.
The things are assuredly not of this life; no woman of Leonardo’s could
have anything so vulgar as a “story.” She did develop most wonderfully
day by day.
So it happened that from patronizing civility he had slowly passed if
not to passion, at least to a profound uneasiness. Already at Rome he
had hinted to her that they might be suitable for each other. It had
touched him greatly that she had not broken away at the suggestion. Her
refusal had been clear and gentle; after it—as the horrid phrase
went—she had been exactly the same to him as before. Three months
later, on the margin of Italy, among the flower-clad Alps, he had asked
her again in bald, traditional language. She reminded him of a Leonardo
more than ever; her sunburnt features were shadowed by fantastic rock;
at his words she had turned and stood between him and the light with
immeasurable plains behind her. He walked home with her unashamed,
feeling not at all like a rejected suitor. The things that really
mattered were unshaken.
So now he had asked her once more, and, clear and gentle as ever, she
had accepted him, giving no coy reasons for her delay, but simply
saying that she loved him and would do her best to make him happy. His
mother, too, would be pleased; she had counselled the step; he must
write her a long account.
Glancing at his hand, in case any of Freddy’s chemicals had come off on
it, he moved to the writing table. There he saw “Dear Mrs. Vyse,”
followed by many erasures. He recoiled without reading any more, and
after a little hesitation sat down elsewhere, and pencilled a note on
his knee.
Public-domain text, read in full here on John Shaqi.
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