England -- Social life and customs -- 19th century -- Fiction; Mate selection -- Fiction
“Oh! how can I give an opinion--what do I know?” said Rose, bewildered;
but she was pleased, as what girl would not be pleased? To have her
opinion prized was pleasant, even though she felt that it was a subject
upon which she could pass no opinion. “I have never seen any but the
Raphaels in the National Gallery,” she said, with alarmed youthful
conscientiousness, as they went along, “and what can I know?”
“You can tell him if you like it; and that will please him as much as if
you were the first art critic in England,” said the rector. These words
gave Rose a little thrill of suspicion--for why should Mr. Incledon care
for her opinion?--and perplexed her thoughts much as she walked up the
leafy road to the gate of Whitton Park, which was Mr. Incledon’s grand
house. Her father expatiated upon the beauty of the place as they went
in; her mother looked preoccupied and anxious; and Rose herself grew
more and more suspicious, though she was surprised into some
exclamations of pleasure at the beauty and greenness of the park.
“I wonder I have never been here before,” she said; “how could it be? I
thought we had been everywhere when we were children, the boys and I.”
“Mr. Incledon did not care for children’s visits,” said her mother.
“And he was in the right, my dear. Children have no eye for beauty; what
they want is space to tumble about in, and trees to climb. This lovely
bit of woodland would be lost on boys and girls. Be thankful you did not
see it when you were incapable of appreciating it, Rose.”
“It is very odd, though,” she said. “Do you think it is nice of Mr.
Incledon to shut up so pretty a place from his neighbors--from his
friends?--for, as we have always lived so near, we are his friends, I
suppose.”
“Undoubtedly,” said the rector; but his wife said nothing. I do not
think her directer mind cared for this way of influencing her daughter.
She was anxious for the same object, but she would have attained it in a
different way.
Public-domain text, read in full here on John Shaqi.
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