A Rose of a Hundred Leaves: A Love Story — John Shaqi
A Rose of a Hundred Leaves: A Love StoryBarr, Amelia E.
General
A Rose of a Hundred Leaves: A Love Story
Barr, Amelia E.
England -- Social life and customs -- Fiction; Love stories
It was not an easy thing to accomplish. Every day for nearly a week he
rode furiously to Calder Wood, tied his horse there, and then hung
about the brow of Calder Cliff, for it commanded Seat-Ambar, which lay
below it as the street lies below a high tower. With his glass he
could see Will and Brune passing from the house to the barns or the
fields, and once he saw Aspatria go to meet her brother Will; he saw
her lift her face to Will's face, he saw Will put her arm through his
arm and so go with her to the house. How he hated Will Anneys! What a
triumph it would be to carry off his sister unknown to him and without
his say-so!
One morning he determined if he found no opportunity to see Aspatria
that day alone he would risk all, and go boldly to the house. Why
should he not do so? He had scarcely made the decision when he saw
Will and Brune drive away together. He remembered it was Dalton
market-day; and he knew that they had gone there. Almost immediately
Aspatria left the house also. Then he was jealous. Where was she going
as soon as her brothers left her? She was going to the vicar's to
return a book and carry him a cream cheese of her own making.
He knew then how to meet her. She would pass through a meadow on her
way home, and this meadow was skirted by a young plantation. Half-way
down there was a broad stile between the two. He hurried his steps,
and arrived there just as Aspatria entered the meadow. There was a
high frolicking wind blowing right in her face. It had blown her
braids loose, and her tippet and dress backward; her slim form was
sharply defined by it, and it compelled her to hold up both her hands
in order to keep her hat on her head.
She came on so, treading lightly, almost dancing with the merry gusts
to and fro. Once Ulfar heard a little cry that was half laughter, as
the wind made her pirouette and then stand still to catch her breath.
Ulfar thought the picture bewitching. He waited until she was within a
yard or two of the stile, ere he crossed it. She was holding her hat
down: she did not see him until he could have put his hand upon her.
Then she let her hands fall, and her hat blew backward, and she stood
quite still and quite speechless, her colour coming and going, all a
woman's softest witchery beaming in her eyes.
"Aspatria! dear Aspatria! I am come to take you with me. I am going to
America." He spoke a little sadly, as if he had some reason for
feeling grieved.
She shook her head positively, but she did not, or she could not,
speak.
"Aspatria, have you no kiss, no word of welcome, no love to give me?"
And he put out his hand, as if to draw her to his embrace.
She stepped quickly backward: "No, no, no! Do not touch me, Ulfar. Go
away. Please go away!"
"But you must go with me. You are my wife, Aspatria." And he said the
last words very like a command.
"I am not your wife. Oh, no!"
"I say you are. I married you in Aspatria Church."
Public-domain text, read in full here on John Shaqi.
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