A Rose of a Hundred Leaves: A Love StoryBarr, Amelia E.
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A Rose of a Hundred Leaves: A Love Story
Barr, Amelia E.
England -- Social life and customs -- Fiction; Love stories
"Life is too short to discuss Aspatria. I remember one day at Redware
being sharply requested to keep silence on that subject. The wheel of
retribution has made a perfect circle as regards Aspatria! I shall
certainly tell Ria that you have made her the heroine of your
disagreeable matrimonial romance."
"No, no, Sarah! Do not say a word to her. I must wait until nine, I
suppose? And I am so anxious and so fearful, Sarah."
"You must wait until nine. And as for the rest, I know very well that
in the present age a lover's cares and fears have
Dwindled to the smallest span.
Do go to your hotel, and get clothed and in your right mind. You are
most unbecomingly dressed. Good-by, old friend, good-by!" And she left
him with an elaborate courtesy.
Ulfar was now in a vortex. Things went around and around in his
consciousness; and whenever he endeavoured to examine events with his
reason, then feeling advanced some unsupported conviction, and threw
him back into the same senseless whirl of emotion.
He had failed to catch the point which would have given him the clew
to the whole mystery,--the identity of Brune with the splendidly
accoutred officer Sarah avowed to be her intended husband. Without
taking special note of him, Ulfar had seen certain signs of
birth, breeding, and assured position. In his mind there was a
great gulf between the haughty-looking soldier and the simple,
handsome, but rather boorish-looking young Squire of Ambar-Side.
The two individualities were as far apart in social claims as
the north and south poles are apart physically.
And if this beautiful woman were indeed Aspatria, how could he
reconcile the fact with her education at St. Alban's, her friendship
with such exalted families, her relationship to an officer of evident
birth and position? When he thought thus, he acknowledged the
impossibility; but then no sooner had he acknowledged it than his
heart passionately denied the deduction, with the simple iteration,
"It is Aspatria! It is Aspatria!"
Aspatria or not, he told himself that he was at last genuinely in
love. Every affair before was tame, pale, uninteresting. If it was not
Aspatria, then the first Aspatria was the shadow of the second and
real one; the preface to love's glorious tale; the prelude to his
song; the gray, sweet dawn to his perfect day. He could not eat, nor
sit still, nor think reasonably, nor yet stop thinking. The sun stood
still; the minutes were hours; at four o'clock he wished to fling the
timepiece out of the window.
Aspatria had the immense strength of certainty. She knew. Also, she
had Sarah to advise with. Still better, she had the conviction that
Ulfar loved her. Perhaps Sarah had exaggerated Ulfar's desperate
condition; if so, she had done it consciously, for she knew that as
soon as a woman is sure of her power she puts on an authority which
commands it. She was now only afraid that Ulfar would not be kept in
suspense long enough, that Aspatria would forgive him too easily.
Public-domain text, read in full here on John Shaqi.
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