A Rose of a Hundred Leaves: A Love StoryBarr, Amelia E.
General
A Rose of a Hundred Leaves: A Love Story
Barr, Amelia E.
England -- Social life and customs -- Fiction; Love stories
"Do make yourself as puzzling as you can, for this one night,
Aspatria," she urged. "Try to outvie and outdo and even affront that
dove-like simplicity he used to adore in you, and into which you are
still apt to relapse. He told me once that you looked like a Quakeress
when he first saw you."
"I was just home from Miss Gilpin's school in Kendal. It was a Quaker
school. I have always kept a black gown ready, like the one he saw me
first in."
"No black gown to-night. I have a mind to stay here and see that you
turn the Quakeress into a princess."
"I will do all you wish. To-night you shall have your way; but poor
Ulfar must have suffered, and--"
"Poor Ulfar, indeed! Be merry; that is the best armour against love.
What ruins women? Revery and sentimentality. A woman who does not
laugh ought to be watched."
But though she lectured and advised Aspatria as to the ways of men and
the ways of love, Sarah had not much faith in her own counsels. "No
one can draw out a programme for a woman's happiness," she mused; "she
will not keep to its lines. Now, I do wonder whether she will dress
gorgeously or not? What did Solomon in all his glory wear? If Aspatria
only knew how dress catches a man's eye, and then touches his vanity,
and then sets fire to his imagination, and finally, somehow, someway,
gets to his heart! If she only knew,--
'All thoughts, all passions, all delights,
Whatever stirs this mortal frame,
Are but the ministers of Love,
And feed his sacred flame!'"
A little before nine, Ulfar entered Sarah's drawing-room. It was
lighted with wax candles. It was sweet with fresh violets, and at the
farther end Aspatria stood by her harp. She was dressed for Lady
Chester's ball, and was waiting her chaperon; but there had been a
little rebellion against her leaving without giving her admirers one
song. Every person was suggesting his or her favourite; and she stood
smiling, uncertain, listening, watching, for one voice and face.
Her dazzling bodice was clasped with emeralds; her draperies were of
damasked gauze, shot with gold and silver, and abloom with flowers.
Her fair neck sparkled with diamonds; and the long white fingers which
touched the strings so firmly glinted with flashing gems. The moment
Ulfar entered, she saw him. His eyes, full of fiery prescience, forced
her to meet their inquiry; and then it was that she sat down and
filled the room with tinkling notes, that made every one remember the
mountains, and the merry racing of the spring winds, and the trickling
of half-hidden fountains.
Sarah advanced with him. She touched Aspatria slightly, and said:
"Hush! a moment. This is my friend Sir Ulfar Fenwick, Ria."
Ria lifted her eyes sweetly to his eyes; she bowed with the grace and
benignity of a queen, and adroitly avoided speech by turning the
melody into song:--
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account