A Rough Diamond: A Comic Drama in One Act — John Shaqi
A Rough Diamond: A Comic Drama in One ActBuckstone, John Baldwin
General
A Rough Diamond: A Comic Drama in One Act
Buckstone, John Baldwin
Comedy plays; English drama -- 19th century
LADY P. Your keeping my secret.
MAR. Oh, I won't tell, if you mean that.
LADY P. Where's his lordship?
MAR. (_pointing L.H._) With my husband.
LADY P. Remember!
MAR. But stop, Polly--wouldn't it be better not to mind anybody
knowing anything? because it don't seem loving and cosy to be sly, and
to be frightened every minute in case somebody should say something
about somebody that would make somebody else angry, and get everybody
into trouble, and set everybody quarrelling with everybody. I don't
like it, Polly dear! where there's secrets there's no happiness, and
no love--ah! and no goodness, if you come to that.
LADY P. Dear Margery, I feel your reproof, sincerely feel it--oblige
me but for this once, and never, never will I again place myself in a
position that shall cause me to conceal one thought or action--I will
not, indeed!
MAR. Then you're a good girl, and I'll do my best this time, because I
know you'll keep your word with me. Good bye for the present. (_shakes
hands with her_)
_Exit LADY PLATO at back._
--I just now felt so comfortable when I found myself once more in my
old clothes, and was going to be so happy and so free, and now I'm in
trouble again! I don't like there being any secrets, and I know I'm
the worst in the world to keep one--and as to my not telling about the
Captain and my aunt having seen one another, I may try not to say a
word, but it's sure to slip out after dinner. What's Polly afraid of?
why does she want to make believe not to know her old sweetheart? and
I'm to help her in the make believe! I don't like it! and I feel now
as if I had stolen something, and had got it in my pocket, and that
somebody was coming to search me.
JOE. (_without_) I don't care! I'm as good as you are, any day!
_Enter JOE._
MAR. Why, Joe, what's the matter now?
JOE. What's the matter? why, when you put me in that room full o'
pictur's, and left me staring at 'em while you went to take off your
grand clothes, your fine husband came in. "Hallo!" says he, "don't
stand in the chairs." "How can I see the pictures if I don't?" says I.
"Sit down," says he. Well, I did sit down--then he was at me again,
and told me to go out of the room, and I said I shouldn't--that my
cousin had took me in, and neither he nor six of his servants should
take me out.
MAR. That was wrong, Joe.
JOE. Then one word brought up another till I said something and then
he said something, and then I said something, and then he took me by
the collar of my coat and kicked me down stairs.
MAR. And served you just right.
JOE. Eh?
MAR. You had no business to be impudent to my husband, if you _are_ my
cousin. What did you say?
JOE. I didn't say much, only he bothered me so that I up and called
him----
MAR. What?
JOE. A d--d fool!
MAR. You did?
JOE. Yes; and why didn't he come down and fight it out on the grass
like a man? I'd ha' soon ha' 'molished him.
Public-domain text, read in full here on John Shaqi.
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