A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
History
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
I am, &c.
THE END.
FOOTNOTES
[1] Three horses and a post boy cost six livres, or five shillings per
post. The post is two leagues, or five miles english.
[2] The room in question has, since this was written, been limited to a
better use. Vide LETTER XX.
[3] Maria Cosway. Her plan is to follow the arrangement of the gallery,
and to devote one copper-plate to each of the fifty-seven grand
divisions or compartments, of which it at present consists, engaging to
continue her work, as the collection shall be increased. The size of the
copper-plate is to be twenty-one inches high, and seventeen wide. The
numbers are to appear monthly, and each is to contain two engravings,
with an historical description of the subjects, and the artists, by
J. Griffiths. Didot the elder, in the Palais royal, receives her
subscriptions. Coloured proofs cost thirty-six livres, and plain ones
twenty-four.
[4] I ought perhaps to mention, that judges of painting have frequently,
in my hearing, complained of the double light in which the pictures are
seen in this gallery. Individually speaking, I was always during the
very many times when I visited this museum so amused, and so delighted,
that I had no inclination to criticise; but it is certainly true, that
on some days the pictures were seen to greater advantage than on others.
The windows of the gallery are directly opposite to one another, and
the paintings are hung on the piers between them. The glare which this
circumstance produces, is the cause of the objection I have named.
[5] Next to the Apollo and the Laocoon, the most celebrated statue is
the Dying Gladiator, the copies of which are dispersed over almost every
country in Europe.
[6] _Spectacle._—This is so important a word, and of such general use in
french conversation, that I cannot too soon introduce it to the notice
of my english reader. It means, first, all the theatres, puppet-shows,
pantomimes, horse exercises, and other motley amusements of this gay
capital.
It is also perpetually in the mouths both of gentlemen and ladies. If
you ask one of the former, whether he were pleased with the opera, he
replies, “Oui, enchanté; le spectacle étoit magnifique.” (Yes, delighted;
the spectacle was magnificent.) And if you put a similar question about a
ball to one of the latter, you receive a similar answer.
If you speak with enthusiasm of the picture gallery, a parisian coldly
observes, “C’est bien vrai, c’est un très beau spectacle.” (Yes, it is a
very fine spectacle, or sight.)
If a stranger inquire, whether the monthly parade of Bonaparte’s troops
deserve its celebrity, he is told, “Oui, c’est un très beau spectacle.”
(Yes, it is a fine spectacle.)
Public-domain text, read in full here on John Shaqi.
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