A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
History
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
The _fête_ of the 18th of brumaire in honour of the
preliminaries, and of the anniversary of the consular
government.—Apathy of the people.—Fireworks.—Accident which
happened to an english gentleman.—_Postscript._ The death of
the gentleman last named.
Paris, november the 10th, 1801 (19 brumaire.)
MY DEAR SIR,
Having in my last letter attempted to describe the objects which
particularly attracted my notice on my first arrival, I shall in this
endeavour to satisfy the curiosity which you will naturally feel,
relative to the splendid _fête_ celebrated yesterday in honour of the
peace with England, and of the anniversary of the consular government.
The rejoicings may be said to have begun on the preceding evening; as
the cannon were fired, and the theatres thrown open to the public, with
the single exception of the italian opera, where was also represented
a musical piece, the words of which were in honour of the occasion. I
wished very much to have been present at one of the performances given
gratis to the people; but I was dissuaded from going there, by the
advice of some french friends, who assured me, that the attempt would be
attended with considerable danger. I therefore contented myself with
visiting the only _spectacle_[6] where money was received.
The company of italian actors usually occupies the _Théâtre Favart_, but
at present performs in a very beautiful little play-house belonging to
“la Société olympique,” situate in the street which was formerly known as
“la rue de Chante Reine;” but which, in honour of Bonaparte, (who resided
there while a private man) is now called “la rue de la Victoire.”
The entrance to this theatre is strikingly elegant and novel, consisting
of a circular piazza, in the middle of which is a grass plot. The
building is well proportioned; and the chandelier, by which it is
brilliantly lighted, extremely beautiful. The music seemed good; but the
female performers relied entirely on the charms of their voice; for I
never remember to have seen, on any other stage, such an assemblage of
ugly women as this presented. The audience consisted of the best company
at Paris; and I had the pleasure of seeing there madame Bonaparte, who
sat in the stage box, accompanied by mademoiselle Beauharnois, her
daughter, and by madame le Clerc, the consul’s sister. Bonaparte was also
said to be present, but being in a _loge grillé_, could not be perceived.
_Madame_, as far as I can judge from the distance at which I saw her, has
a mild, amiable countenance, which is universally allowed to be the just
picture of her disposition. Her person is elegant, and her appearance
altogether much like that of an english woman of fashion.
Public-domain text, read in full here on John Shaqi.
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