A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital — John Shaqi
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
History
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
I shall not now speak to you of splendid buildings, of glorious monuments
of human ingenuity, of renowned heroes, or of brilliant festivals. What
I saw to day interested me, and I am sure would have interested you,
much more than all such objects united; I mean, the _institution des
sourd-muets_ (that humane establishment for the instruction of the deaf
and dumb), first founded under the care of the abbé l’Epée, and now
conducted by his worthy successor, the abbé Sicard.
Having tickets offered me for an extraordinary meeting, which took place
this morning, I willingly availed myself of the opportunity, and at ten
o’clock repaired to _la rue St. Jacques_, where, in a former convent,
this beneficent establishment is carried on. Here I found a large
assemblage of respectable persons, who all listened, with pleasure and
attention, to the simple, plain, and unaffected manner, in which the abbé
Sicard explained his method of giving to the deaf and dumb the means of
expressing their thoughts. “As foreigners,” said he, “unacquainted with
the language of the country which they visit, are supposed stupid and
ignorant by the uninformed, so the deaf and dumb are often considered as
idiots, because they are deprived of one sense. No,” continued he, “they
are not idiots; they have ideas as well as you, and only want an organ to
express them.” He then went on to state, that in most educations children
are taught first to speak, and then, _sometimes_, to think; whereas,
in his plan, he began first by teaching his pupils to think, and then
proceeded to instruct them how to express what they had so thought[29].
To exemplify both his plan and his success, he examined Massieu, his
favourite and ablest pupil, a young man, about twenty or twenty five
years old. As soon as the abbé expressed, by his gestures, any particular
passion, Massieu instantly wrote the word appropriate to the peculiar
feeling, and then explained the meaning of the word he had written, with
a vivacity of action, and a variety of countenance, which I never before
witnessed in any human being. He next wrote on the wall, with great
rapidity, the chain of ideas, by which the abbé Sicard regularly advances
his scholars, from the expression of a simple thought, to one of greater
import. Thus, beginning with the word “voir,” to see, he ended, going on
by regular steps, with the word “examiner,” to examine; beginning with
“idéer,” (a word created by Massieu, but answering to “_avoir idée_,”
or to have an idea), he ended with “approfondir,” to search into; and
beginning with “vouloir,” to will, he ended with “brûler,” to burn with
passion. Massieu expressed, with wonderful fire, the meaning of each
progressive passion, in the changes of his countenance, which, when
animated, is uncommonly fine.
Public-domain text, read in full here on John Shaqi.
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