A Russian Proprietor, and Other StoriesTolstoy, Leo, graf
General
A Russian Proprietor, and Other Stories
Tolstoy, Leo, graf
Russia -- Social life and customs -- Fiction; Tolstoy, Leo, graf, 1828-1910 -- Translations into English
"Ain't melancholy! can't I see?" the old woman began to say with warmth.
"The whole livelong day to be all sole alone! And you take every thing to
heart so, and look out for every thing; and besides, you scarcely eat any
thing. What's the reason of it? If you'd only go to the city, or visit your
neighbors, as others do! You are young, and the idea of bothering over
things so! Pardon me, little father, I will sit down," pursued the old
nurse, taking a seat near the door. "You see, we have got into such a habit
that we lose fear. Is that the way gentlemen do? There's no good in it. You
are only ruining yourself, and the people are spoiled. That's just like our
people: they don't understand it, that's a fact. You had better go to your
auntie. What she wrote was good sense," said the old nurse, admonishing
him.
Nekhliudof kept growing more and more dejected. His right hand, resting on
his knee, lazily struck the piano, making a chord, a second, a third.
Nekhliudof moved nearer, drew his other hand from his pocket, and began to
play. The chords which he made were sometimes not premeditated, were
occasionally not even according to rule, often remarkable for absurdity,
and showed that he was lacking in musical talent; but the exercise gave him
a certain indefinable melancholy enjoyment.
At every modification in the harmony, he waited with muffled heart-beat for
what would come out of it; and when any thing came, he, in a dark sort of
way, completed with his imagination what was missing.
It seemed to him that he heard a hundred melodies, and a chorus, and an
orchestra simultaneously joining in with his harmony. But his chief
pleasure was in the powerful activity of his imagination; confused and
broken, but bringing up with striking clearness before him the most varied,
mixed, and absurd images and pictures from the past and the future.
Now it presents the puffy figure of Davidka Byélui, timidly blinking his
white eyelashes at the sight of his mother's black fist with its net-work
of veins; his bent back, and huge hands covered with white hairs,
exhibiting a uniform patience and submission to fate, sufficient to
overcome torture and deprivation.
Then he saw the brisk, presuming nurse, and, somehow, seemed to picture her
going through the villages, and announcing to the peasants that they ought
to hide their money from the proprietors; and he unconsciously said to
himself, "Yes, it is necessary to hide money from the proprietors."
Then suddenly there came up before him the fair head of his future wife,
for some reason weeping and leaning on his shoulder in deep grief.
Then he seemed to see Churis's kindly blue eyes looking affectionately at
his pot-bellied little son. Yes, he saw in him a helper and savior, apart
from his son. "That is love," he whispered.
Public-domain text, read in full here on John Shaqi.
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