A Russian Proprietor, and Other StoriesTolstoy, Leo, graf
General
A Russian Proprietor, and Other Stories
Tolstoy, Leo, graf
Russia -- Social life and customs -- Fiction; Tolstoy, Leo, graf, 1828-1910 -- Translations into English
"Why did you ask me that question?" he whispered. "But I will tell you all
about it. I like you," he added, after a few moments of thought, and
glancing around. "I will not deceive you, I will tell you all, just as it
was, from the beginning." He paused, and his eyes took on a strange wild
appearance. "You know that I am weak in judgment," he said suddenly. "Yes,
yes," he continued. "Anna Ivánovna has told you about it. She tells
everybody that I am crazy. It isn't true, she says it for a joke; she is a
good woman, but I really have not been quite well for some time." Albert
paused again, and stood up, gazing with wide-opened eyes at the dark door.
"You asked me if I had ever been in love. Yes, I have been in love," he
whispered, raising his brows. "That happened long ago; it was at a time
when I still had a place at the theatre. I went to play second violin at
the opera, and she came into a parquet box at the left."
Albert stood up, and bent over to Delesof's ear. "But no," said he, "why
should I mention her name? You probably know her, everybody knows her. I
said nothing, but simply looked at her: I knew that I was a poor artist,
and she an aristocratic lady. I knew that very well. I only looked at her,
and had no thoughts."
Albert paused for a moment, as though making sure of his recollections.
"How it happened I know not, but I was invited once to accompany her on my
violin.... Now I was only a poor artist!" he repeated, shaking his head and
smiling. "But no, I cannot tell you, I cannot!" he exclaimed, again
clutching his head. "How happy I was!"
"What? did you go to her house often?" asked Delesof.
"Once, only once.... But it was my own fault; I wasn't in my right mind. I
was a poor artist, and she an aristocratic lady. I ought not to have spoken
to her. But I lost my senses, I committed a folly. Petrof told me the
truth: 'It would have been better only to have seen her at the theatre.'"
"What did you do?" asked Delesof.
"Ah! wait, wait, I cannot tell you that."
And, hiding his face in his hands, he said nothing for some time.
"I was late at the orchestra. Petrof and I had been drinking that evening,
and I was excited. She was sitting in her box, and talking with some
general. I don't know who that general was. She was sitting at the very
edge of the box, with her arm resting on the rim. She wore a white dress,
with pearls on her neck. She was talking with him, but she looked at me.
Twice she looked at me. She had arranged her hair in such a becoming way! I
stopped playing, and stood near the bass, and gazed at her. Then, for the
first time, something strange took place in me. She smiled on the general,
but she looked at me. I felt certain that she was talking about me; and
suddenly I seemed to be not in my place in the orchestra, but was standing
in her box, and seizing her hand in that place. What was the meaning of
that?" asked Albert, after a moment's silence.
"A powerful imagination," said Delesof.
Public-domain text, read in full here on John Shaqi.
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