Man-woman relationships -- Fiction; Western stories; Young women -- Fiction
Jac and Carrigan paused at the door to make a survey of the scene. The
festivities were already well under way. Some of the men had removed
their bandannas and stuffed the latter into back trouser-pockets, from
which they streamed like brilliant pennons during the dance. There were
other tokens that the dance had passed the stiff formality of the
opening moments. The musicians played with the fierce resolution of
long-distance runners entering the homestretch. The violinist leaned
back with eyes closed and jaw set in do-or-die determination, while his
bow darted back and forth across the strings. The banjo man leaned far
over and thrummed away with an expression partly of pain and partly of
faraway yearning as he stared above the heads of the dancers. The
expression was caused not by sorrow of soul, but by a cramp in his right
hand. The trombone-player, however, was in far worse case than either of
his two companions. He was very fat, very short, and his red, bald head
shone furiously. Yet he would not diminish the vigor of his efforts. His
long slurs were more brazenly ringing than ever. His upward runs raised
the heart and the hair at the same time. His downward slides sent out a
chill tingle along the spine. He jerked out his arm with such violence
that it made his flabby body quiver like jelly; and the vigor of his
blowing set a white spot in the middle of his puffed cheeks.
Orpheus stirred the trees as this orchestra stirred the citizens of the
mountain-desert. It sent them whirling frantically about the dance-hall;
it moved them to sit now and then in the shadow-swept corners, closely
tête-à-tête.
A wild and ludicrous scene? Perhaps. But also there was beauty and youth
as much as ever graced a ballroom. And there was rhythm. Rhythm of the
dance, rhythm of the screeching, thrumming music; and to the young,
rhythm is poetry. It set a glamour upon the faces of the dancers; of the
shadowy corners it made moonlit gardens.
“What is my name?” queried Jac. “We forgot that!”
He was dumfounded.
“Perhaps I’m your sister?”
He grinned.
“Jac, you look as much like me as a yearling short-horn looks like a
long-horn maverick. Something fancy. Jacqueline Silvestre. How does that
hit, eh? Miss Silvestre! You’ve come from the east. You’re visiting at a
ranch twenty miles away.”
“What ranch?”
“Fake a name.”
“Every one knows everybody else for miles around.”
“It’s up to you. Can you do the Eastern lingo?”
She tilted her head to one side and gazed upon him with naive
astonishment.
“‘Lingo,’ Mr. Carrigan?”
“Good Lord!” breathed Carrigan.
Her laughter was low and filled with hints of many things. It made him
distinctly uncomfortable.
“I’ve read books,” she said. “I’ll do my part. But you?”
“I’m simply a cow-puncher you’ve pressed into service to bring you here.
Right? Now who do you want to dance with? Watch their eyes!”
Public-domain text, read in full here on John Shaqi.
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