American fiction -- 19th century; California -- Social life and customs -- Fiction; Western stories
Indeed, if popularity was an indiction, this had become suddenly true.
For the poetess's third contribution, without changing its strong
local color and individuality, had been an unexpected outburst of human
passion--a love-song, that touched those to whom the subtler meditative
graces of the poetess had been unknown. Many people had listened to this
impassioned but despairing cry from some remote and charmed solitude,
who had never read poetry before, who translated it into their own
limited vocabulary and more limited experience, and were inexpressibly
affected to find that they, too, understood it; it was caught up and
echoed by the feverish, adventurous, and unsatisfied life that filled
that day and time. Even the editor was surprised and frightened. Like
most cultivated men, he distrusted popularity: like all men who believe
in their own individual judgment, he doubted collective wisdom. Yet
now that his protegee had been accepted by others, he questioned that
judgment and became her critic. It struck him that her sudden outburst
was strained; it seemed to him that in this mere contortion of passion
the sibyl's robe had become rudely disarranged. He spoke to Hamlin, and
even approached the tabooed subject.
“Did you see anything that suggested this sort of business in--in--that
woman--I mean in--your pilgrimage, Jack?”
“No,” responded Jack, gravely. “But it's easy to see she's got hold
of some hay-footed fellow up there in the mountains with straws in his
hair, and is playing him for all he's worth. You won't get much more
poetry out of her, I reckon.”
Is was not long after this conversation that one afternoon, when the
editor was alone, Mr. James Bowers entered the editorial room with much
of the hesitation and irresolution of his previous visit. As the editor
had not only forgotten him, but even, dissociated him with the poetess,
Mr. Bowers was fain to meet his unresponsive eye and manner with some
explanation.
“Ye disremember my comin' here, Mr. Editor, to ask you the name o' the
lady who called herself 'White Violet,' and how you allowed you couldn't
give it, but would write and ask for it?”
Mr. Editor, leaning back in his chair, now remembered the occurrence,
but was distressed to add that the situation remained unchanged, and
that he had received no such permission.
“Never mind THAT, my lad,” said Mr. Bowers, gravely, waving his hand. “I
understand all that; but, ez I've known the lady ever since, and am now
visiting her at her house on the Summit, I reckon it don't make much
matter.”
It was quite characteristic of Mr. Bowers's smileless earnestness that
he made no ostentation of this dramatic retort, nor of the undisguised
stupefaction of the editor.
“Do you mean to say that you have met White Violet, the author of these
poems?” repeated the editor.
Public-domain text, read in full here on John Shaqi.
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