A Search For A Secret: A Novel. Vol. 1Henty, G. A. (George Alfred)
General
A Search For A Secret: A Novel. Vol. 1
Henty, G. A. (George Alfred)
Inheritance and succession -- Fiction; Mystery fiction
Upstairs was the drawing-room. It was here that the Misses Pilgrim
received visitors to the girls, and here that the lady professors, who
came twice a week to teach music, imparted lessons in singing and on the
pianoforte to the pupils.
This room was a model of propriety and frigidity--if there be such a
word, for no other will describe the effect produced. The curtains were
of white muslin, so stiff and carefully arranged that they might have
been cut out of marble. The chairs were of some light wood, with gilding
on them, and so extremely fragile, that it was only with the greatest
caution and care that any one could venture to sit down upon them; there
were couches too, here and there, but these as seats were altogether out
of the question, being so covered with Berlin work of every kind, and
antimacassars of such stiffness and intricacy of pattern, that no one
would ever have thought of assuming a sitting position even upon the
extreme edge of them.
The room was literally crowded with tables of every imaginable shape and
form, generally on twisted legs, and looking as if a breath would upset
them. On these tables were placed works of art and industry of every
description. Vases of wax flowers and fruit, Berlin wool mats of every
colour and pattern, inkstands of various shapes and sizes, books of
engravings, stuffed birds under glass shades; in short, knicknacks of
every sort and kind, and on a great majority of them were inscribed,
"Presented to Miss Pilgrim, or Miss Isabella Pilgrim, by her attached
pupils on her birth-day;" or, "Presented to the Misses Pilgrim by their
attached pupil so-and-so on the occasion of her leaving school."
Through all this it was next to impossible to move without the greatest
risk of bringing some of the little fragile tables down with a crash,
and visitors would generally, after a vague glance of perplexity round,
drop, or rather lower themselves carefully, into one of the little
minikin chairs, as near as possible to the door.
So chilling was the effect of this room, so overwhelming its atmosphere
of propriety, that many fathers and brothers who have come up from the
country to see their daughters or sisters after a long absence, men with
big voices and hearty manner, have felt so constrained and overpowered
by it, that in place of taking them into their arms with a loud-sounding
kiss, they have been known to hold out their hand in a most formal
manner and to inquire almost in a whisper as to their state of health.
In this drawing-room the elder girls used to practise, and if any
visitor was shown up there the proper form to be observed was to rise
from the music-stool, walk to the door, and then, making a deep curtsey,
to leave the room--a performance not unfrequently completely astounding
any one strange to the ceremonies inculcated at young ladies' schools as
being suitable to occasions like this.
Public-domain text, read in full here on John Shaqi.
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